Hansard

Simon Woods’ Hansard,  brought to life under the direction of Bethan Rimmer, is an absorbing and cleverly constructed two hander that thrives on its intimacy and tension. Set in a rural kitchen in 1988, the play unfolds over a single day, offering audiences a deeply personal glimpse into a fractured marriage set against a backdrop of political and emotional unrest. The simplicity of the setting allows the strength of the writing and performances to take centre stage, creating a compelling and engaging theatrical experience. 

Francesca Dykes as Diana, delivers a wonderfully naturalistic performance that anchors the production. Her portrayal is layered with subtlety as she skilfully balances biting sarcasm with an undercurrent of vulnerability. Throughout the play, Diana’s disdain builds steadily, revealing the emotional complexity beneath her sharp wit. Dykes maintains a strong presence on stage, ensuring the audience remains captivated by her shifting emotional states. Her delivery feels authentic and grounded, making her character both relatable and intriguing. 

Opposite her, David Hyde as Robin provides an excellent foil. Hyde matches Diana’s energy and precision, crafting a character that is equally compelling yet distinctly different. His command of sarcasm and timing enhances the sharp dialogue, allowing the verbal sparring between the pair to feel both natural and dynamic. The chemistry between the two performers is evident throughout, and their interactions drive the play forward with a sense of urgency and realism. Hyde’s performance brings depth to Robin, highlighting the complexities of his character and ensuring he is more than just a counterpoint to Diana. 

The play itself is a challenging piece, requiring both actors to remain on stage for the entirety of the performance. This continuous presence heightens the intensity, as there is no respite from the emotional and verbal exchanges. Themes of grief, conflict, and political intrigue are woven seamlessly into the narrative, giving the play both personal and societal resonance. The script’s wit and intelligence are complemented by moments of genuine poignancy, making for a well-rounded and thought provoking experience. 

The set design deserves particular praise. The rural kitchen setting is realised with impressive attention to detail, featuring layers and depth that enhance the visual appeal of the stage. This design not only creates a believable environment but also provides opportunities for creative movement, allowing the actors to utilise the space effectively. The staging supports the narrative without overwhelming it, striking a perfect balance between functionality and aesthetic appeal. 

Overall, this production is a strong and engaging piece of theatre. With skilful direction, outstanding performances, and a thoughtfully designed set, it successfully captures the emotional intensity and wit of Simon Woods’ writing. It is a play that challenges both its performers and its audience, leaving a lasting impression through its exploration of relationships and the wider political landscape 

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