Half a Sixpence

Half a Sixpence follows the story of Arthur Kipps and his journey from rags to riches. Arthur lives and work with other apprentices for the cruel Mr Shalford. After inheriting a fortune, Arthur climbs the social ladder and finds new life and a new love. But he soon finds that you simply can't buy happiness.

Ian Meikle (Arthur Kipps) was phenomenal and a true credit to the society. After taking the role on a mere two weeks before the show, he impressed with his characterisation and vocals. Zsofia Preddle (Ann) played her part effortlessly. She oozed a woman scorned and provided a fabulous rendition of I don't believe a word.

Kelsey Checklin (Helen Walsingham) was a beautiful English rose who carried the essence of high society. Paul Sanders (Harry Chitterlow) had me in stitches. His characterisation was fantastic and his accent was superb. 

Michelle Checklin (Mrs Walsingham) and Casey McKernan (William Walsingham) carried their high society personas fantastically and I thoroughly enjoyed Casey's portrayal of the photographer. Clive Cartwright's portrayal of Mr Shalfrod was perfectly done, with a stiff upper lip and the characteristics of a disgruntled employer.

Luke Bingham (Pearce) Jacob Scullion (Buggins) and Nathan Lloyd (Sid) played the boys brilliantly. They carried the 'jack the lad' personas effortlessly and bounced of each other's energy. Recognition goes to Nathan also for stepping up to the role only a few weeks before the performance.

Katie O'Beimer (Kate), Lucy Owen (Victoria) and Rachel Fisher (Flo) played the female apprentices excellently and played against each other well. Their portrayals were effortless and they worked with the male apprentices well.

The chorus was great, throwing themselves into their scenes and adding to each one well. The costumes fit the period of the story and showed the upper class and lower class divide subtly but well. The choreography was great, especially Money to Burn and Flash Bang Wallop which were personal favourites. The set changes were beautifully done and the change from being inside the Floral Hall onto the balcony was seamless. The lighting added to the beauty of the show. Despite some minor technical difficulties, the cast and production team soldiered on and performed a fantastic show which I thoroughly enjoyed. 

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