Guys and Dolls

A large thrust stage with small cabaret style tables with little lamps gave a real sense of intimacy which meant that a number of the stalls seats had been removed this brought the seats on the terrace nearer to  the performing area thus greatly improving the interaction between audience and cast. There was a drop gauze featuring the Guys and Dolls logo and rolling dice, and to either side of the stage there were tall idealised versions of New York Brownstone buildings. By using the Scenery to cover the red curtains at the Princess Hall and the thrust stage there was a real feeling that we were sitting in a theatre rather than in the multifunction venue. The scene changes were speedy and efficient.The sound was excellent, and the dialogue was very clearly heard throughout the theatre. The lighting designed by Stephen Williams was intricate and demonstrated changes of mood and location.The costumes were very good, the men’s suits fitted well, and they were subtly matched to their characters. The Mission band costumes were right for the period.The hairstyles and make up, especially the wigs for the Hot Box girls worked well.

Music & Musicians: The Orchestra was at the back of the stage and visible throughout the show They played with energy and attack and precision led by Leanne Evans - Dix.

Direction: Charlotte Walker continued her cartoon style throughout her direction with stylised comedic use of gesture. The positioning of the cast and the visual pictures were well thought through. The pace of the dialogue and the humour was worked well. The acting throughout was very secure. The characterisations of the four principals were different and interesting. There was a particularly noteworthy performance from Sapphire Heath as Sarah Brown and Dale Barrell as Nathan Detroit who had energy and commitment. Ron Walker played Arvide Abernathy, his song in the second act was very moving and his obvious reluctance to lose Sarah Brown came through strongly. Sky Masterson played by Lewis Hopkins was well played, he danced and sang with good characterisation

Choreography:The choreography was very well devised and was within the capabilities of the dancers on the stage

The Production:The show was presented by a large talented company, with excellent principals, strong dancers and able ensemble members. Well done, Cody.

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