Frozen Jr

Kids From Crigg brought a flurry of magic to the stage with their delightful production of Disney's Frozen Jr, a heart-warming tale of sisterhood, courage and self-discovery. From the very first notes, the audience was transported to Arendelle, following the journey of two young princesses as their bond is tested and ultimately triumphs.

The story begins with the joyful innocence of childhood, where Young Anna – Emily Carritt – captivated the audience with fabulous characterisation and a natural ability to hold attention. Opposite her, Young Elsa – Matilda Howarth delivered a confident performance, beautifully portraying Elsa’s early fear and confusion as her magical powers begin to emerge. The construction of Olaf during their playful scene was particularly enjoyable, cleverly staged and full of charm.

As the sisters grew older and tragedy struck with the loss of their parents, Middle Elsa – Annabelle Smith and Middle Anna – Orla Clark sensitively conveyed the emotional distance that grows between them. Their performances bridged the innocence of youth and the responsibility of adulthood, ensuring the audience felt the weight of the sisters’ separation.

In their supporting yet vital roles, King Agnarr – Jacob Line and Queen Iduna – Evie Pretty offered charming portrayals, establishing the warmth of the royal family before the story takes its poignant turn.

The coronation ball introduces us to the grown Elsa, portrayed by Beth Buckley, who commanded the stage with a fitting air of standoffishness and impressive vocal control. Her rendition of “Let It Go” was a standout moment, not least for the brilliantly executed on-stage “magic” costume change, handled seamlessly and to great audience delight. Her partnership with Anna – Isabella Muncanda was a joy to watch. Muncanda delivered a mature and engaging performance from a young actress with enormous potential, bringing humour, vulnerability and determination to Anna’s quest to save her sister and Arendelle.

On that quest, Anna encounters ice harvester Kristoff, played by Frankie Davis, whose lovely vocals and warm stage presence shone throughout. Alongside him, was his faithful reindeer Sven, ably played by Dottie Turner. Turner impressed not only with character work but with the ingenious costume design using crutches as Sven’s front legs – brilliantly managed and full of personality. Their partnership was both believable and endearing.

The charming façade of Prince Hans – Jessica Holmes gradually revealed an air of delicious obnoxiousness, particularly chilling as she plotted Anna’s demise. Holmes is undoubtedly a young star in the making. Providing comic flair throughout was Liam Longbottom as Weselton, whose strong, confident delivery and expressive facial reactions drew laughter time and again. The height difference between him and Elsa during the ball scene was a visual gift that did not go unnoticed.

Demonstrating admirable versatility, Jacob Line doubled as Oaken, a stark contrast to his earlier royal role, complete with accent and character shift. He was well supported by Frankie Binns as Astrid Oaken, Lucy Folker as Ingrid Oaken, and Elodie Dixon as Ester Oaken, creating a lively Oaken family dynamic.

No journey through Arendelle would be complete without Olaf, and Rose Clark brought excellent comedy timing and a fantastic costume to the lovable snowman. Pabbie – Megan Wiles and Bulda – Maddy Wayman added warmth and guidance as leaders of The Hidden Folk, helping to steer the story toward its heartfelt conclusion: that true love comes in many forms.

Beyond the named roles, the strength of Kids From Crigg shone through in their ensemble. The Household Staff, Summer Chorus, Snow Chorus, Townspeople, The Hidden Folk and The Oaken Chorus demonstrated depth, enthusiasm and commitment, reflecting a company that is clearly growing in both numbers and ability.

The set deserves special recognition. Always built in-house, the use of fold-away flats to transition seamlessly from palace interiors to the snowy mountain landscape was an excellent use of space and greatly enhanced the overall theatrical effect. Scene changes were fluid and visually engaging, supporting the storytelling without distraction.

Most striking of all was the joy radiating from the stage. Every performer looked as though they were having an amazing time, and that energy was infectious. The company continues to grow in confidence, standard and ambition; it would be wonderful to see their talents showcased on an even bigger stage in the near future.

Congratulations must go to the dedicated production team: Director and Musical Director – Emma Jeffreys, Choreographers – Katie Binns and Rosie Smith, and all those involved in a technical capacity. Their hard work, vision and commitment were evident in every snowy swirl and heartfelt harmony.

A truly enchanting production that left its audience warmed by the power of sisterly love.

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