Fiddler on the Roof

This show is a firm favourite with cast members and audiences alike, and with a sell out audience on the night I attended, I couldn’t wait to see this ‘TRADITION’al show get the LMTC treatment. 

Instead of the usual big sets, Director, Cev Barker, chose to stage this in a modern and minimalist way, which worked so well. I personally love to see the old style musicals get the modern treatment. Congratulations to Cev for having the vision to bring this musical up to date for todays audience. Cev also created more opportunities for the title role, the Fiddler, to make appearances and Lizzie Race made the most of the opportunities available.

As one comes to expect from LMTC, The singing, especially from the ensemble was a delight, particular the Sabbath Prayer where the harmonies were on point. Huge congratulations to Pete Lane on getting such a great sound from the ensemble and principals alike. The 8 piece band was also a delight to the ear. Sarah Barker, choreographer, produced some great routines. I particularly enjoyed Tradition and Chava Sequence. 

The role Tevye, is a sought after role,  hardly off stage and requires a great talent. Step forward, Faiyaz Kiddi. Not only was this Faiyaz first appearance with LMTC, but his first show ever, and what a debut. He managed to capture the humour and the emotion that this role requires. An exceptional performance. Faiyaz was well supported by Lesley Lees as his domineering  wife Golde, and his three daughters, Tzeitel, Hodel and Chava played by Holly Martin, Tamsin Kendall and Sarah Taylor. All of these ladies played their part to the full, but I must mention Kendall’s emotional rendition of Far From The Home I Love, a masterclass in demonstrating emotion through song. 

Chris Littler - Moore excelled as the Motel the tailor, who was the just the right side of geeky and awkward. Jacob Whitehead as Perchik displayed fine vocals and impressive dance moves, whilst Dan Wilkinson as Fyedka, proved again what a versatile actor he is and had a great Russian accent. Jo Smith’s comedy skills were on display yet again as Yente, the matchmaker. True? Of course, true. Becca Booth was truly terrifying and excellent as Frauma-Sarah, the ghost who visits Tevye in his dream, and Wendy Prew delighted the audiences with her fine singing voice as Grandma Tzeitel. 

The major players were well supported by Martin Den -Burger Green, Pete Mayson, the always impressive Lee Caddick, Graham Myers, Joe Boswell, Jordan Wright, Eve Dachtler and Millie Haigh. The costumes supplied by Ian Stead Theatrical Costumier were beautiful and just right for the era. 

Many thanks to all at the LMTC for a superb evening of entertainment. Here’s hoping the Fiddler plays on for many more years to come. 

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