Disney Beauty and the Beast

Largs AOS transported audiences into the enchanting world of Disney’s Beauty and the Beast – The Broadway Musical, capturing the magic and heart of this beloved story wonderfully. The tale of Belle, a bright young woman longing for adventure, and the Beast, a prince cursed until he can learn to love and be loved in return, remains a timeless favourite. This production brought that story to life with charm, energy and sincerity. It was a joy to watch, and the audience appeared completely transfixed throughout. Congratulations must go to the production team of Morag, Christopher and Sarah for creating such a polished and engaging show.

The production was supported by an effective set that established each location clearly, while quick and efficient scene changes ensured the story flowed smoothly from beginning to end. The ensemble delivered impressive choral singing throughout, and their colourful movement in the larger company numbers brought vibrancy and excitement to the stage. It was wonderful to see the stage so full, creating the sense of a bustling village and enchanted castle.

At the heart of the production was Ailie Kelly as Belle, who gave a warm and engaging performance, capturing both the intelligence and kindness of the character. Her singing was effortless throughout, delivered with a beautiful tone and excellent control, bringing the musical numbers to life with apparent ease. She created a Belle who was both relatable and inspiring, ensuring the audience remained invested in her journey from beginning to end. Alan MacLean embraced both the dramatic and comic elements of the Beast, creating a character who was as entertaining as he was sympathetic. His exasperation with the antics of the enchanted castle staff was particularly amusing and generated plenty of audience laughter. John Roy Garrod was a commanding Gaston, full of confidence and swagger, while Laura Newton brought excellent comic timing and energy to the role of Lefou. Kevin Finlayson gave a heartfelt performance as Maurice, providing warmth and sincerity throughout.

The castle inhabitants were a particular delight. Andy Park was wonderfully funny and suitably pompous as Cogsworth, while Stewart Macdougall delivered a hilarious and charming Lumiere, winning over the audience from the outset. Catherine Gilmour was both glamorous and hysterically funny as Babette, and Jacqui Breakenridge brought warmth and maternal charm to Mrs Potts. Lynset Ewing embraced the larger-than-life nature of Madame de la Grande Bouche, creating a memorable comic character, while Evelyn Black was an adorable Chip. On other performances, this role was played by Freya Thomson.

The Les Filles de la Ville worked excellently together, creating a cohesive trio while ensuring each character retained her own distinct personality. Supporting roles across the production were performed with confidence and commitment, helping to create a believable and richly populated world.

Finally, credit must go to the large ensemble, whose enthusiasm, commitment and energy were evident throughout. Their contribution added greatly to the success of the production and helped create a magical theatrical experience.

Congratulations to everyone involved in this thoroughly enjoyable production. Largs AOS should be proud of a show that captured the spirit, spectacle and magic of Disney so effectively.

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