Dick Whittington

In recent times pantomime productions have settled on a wide spectrum: at one end are the highly resourced commercial shows that dominate the big theatres; at the other end are simple, old-fashioned amateur shows that populate all sorts of small venues up and down the country, far outnumbering the heavily commercial sector. But there are many gems in amateur pantoland and Dick Whittington (by Whitley Bay Pantomime Society) is one of them. Whitley Bay Playhouse is a commercial theatre (and it has its own commercial pantomime) but this company do well to fill the stage and to colonise it with a company intent on entertaining its substantial following. And judging by the roof-raising screams of the youngsters (mainly scouts and brownies) when the zombie picks off some of that main characters during a rousing number, they succeed once again. The dancers and chorus really add atmosphere and colour, every single person on stage performing their heart out. Jen Laws was a commanding Fairy Bowbells. Chris Shiels played a forceful and intimidating King Rat with gusto. Sabrina Lyall’s Dick Whittington was disciplined and warm and Alice Fitzwarren (Lauren Peters-Jones) paired well making a pleasant romantic twosome. Steven Linsdell-Ball dominated the stage (in an enjoyable way) when on as Sarah the Cook making a great impression as the comic lead, teaming up with Davie Linsdell as Idle Jack (who was expansive and pacy). Captain and Mate (Leah Ashton and Mark Robinson respectively) were also very funny and complemented each other as an engaging double act. Georgia White was a great Tommy Cat: lively, full of personality and convincing. And Austin Davey was a late but pleasant surprise as the Sultan of Morocco. The sound balance was well done and the orchestra was a perfect match for the performers and the occasion. And an occasion it was: congratulations to the cast, crew and management for a job well done.

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