Cinderella

On a crisp winter evening, we journeyed to the magical land of Everafter to join Woodlands Theatrical Society for their sparkling production of Cinderella. Under the skilled direction of Malcolm Alderson, the production embraced every beloved pantomime tradition, from lively audience participation to colourful characters and well‑timed comedy. Not only did Malcolm direct the show, but he also wrote the script and played the role of the Dame Lowacinth Digger. Malcolm brought a fresh charm to this well‑known story while honouring everything audiences cherish about this classic and traditional pantomime. His multiple roles ensured a seamless blend of classic panto magic with original touches that made the performance both familiar and delightfully new.

It was a real delight to see Woodlands Theatrical Society choose to feature a live band. For me, it makes all the difference, bringing an energy and richness that recorded tracks can never quite match. Under the assured baton of Musical Director John Hopkinson, the musicians delivered a well‑balanced and beautifully controlled accompaniment. Each musical number was thoughtfully arranged to complement the characters on stage and enhance the unfolding storyline, ensuring the music became an integral part of the production rather than simply a backdrop.

The choreography by Pamela Alderson was an integral feature of the production, bringing vibrancy and charm to the movement on stage. Pamela’s routines were well coordinated to reflect both the strengths of the cast and the playful spirit of pantomime, ensuring that each musical number felt lively, current, and full of character. Ensemble pieces were well‑staged, visually appealing allowing performers of all ages and ability to be included. The choreography not only lifted the musical numbers but also contributed significantly to the overall warmth, and humour of the production.

A special mention must also go to Nicola School of Dance, whose students provided outstanding support throughout the pantomime. Their professionalism and enthusiasm were evident in every appearance. The standout moment came from the Senior Dance Team, whose beautifully delivered a ballet routine that brought a genuine “wow” factor to the evening, with their performance captivating the audience and added an extra layer of magic to the production.

Congratulations must also go to the entire production team, with particular recognition for Stage Manager Martin Gibson and his dedicated stage crew Scarlett Gibson, Em Alderson, Dave Janes, Rob Kirby, and Ian Shaw. Their collective hard work ensured that every scene change was executed smoothly and professionally, maintaining the pace and flow of the performance throughout.

Sound was managed by Ian Shaw, who handled the technical requirements with care. There were a few microphone issues during the performance I attended most noticeably during Cinderella’s rendition of “Rewrite the Stars.” However, she delivered her vocals with such clarity and confidence that the audience were still able to appreciate the beauty of her harmonies despite the technical hiccup.

The production also benefited from a well‑considered lighting plot designed by Michael Austin, Dave Janes, Joe Skeet, and Ian Shaw. Their lighting choices enhanced each scene, creating the right atmosphere and adding depth and visual flair to the storytelling.

Costumes were another strong feature of the show, with each character clearly defined through thoughtful design and colour. The finale walk‑down looked particularly impressive, and the two stepsister costumes thanks to the creativity of Pamela Alderson added a wonderful burst of pantomime extravagance.

The set was equally commendable, providing a visually engaging backdrop that supported the transition from the village to the royal palace seamlessly. A highlight was the Ugly Sisters’ bedroom scene, which was both humorous and cleverly designed. Cinderella’s carriage, which transported her to the ball, was another standout moment beautifully constructed and visually striking. Well done to the set designer Gareth Graham, set construction team and the painting team; your work made a memorable visual impact and enhanced the production considerably.

Playing the role of Cinderella was Chantel Dupree, who delivered a warm and confident principal performance. She demonstrated strong stage presence, engaging naturally with both the audience and her fellow performers. Chantel approached the role with sincerity and charm, capturing Cinderella’s kindness and optimism throughout. Her musical numbers were delivered with assurance, and she managed each song with poise, clarity, and a pleasing vocal tone that suited her character beautifully.

Taking on the leading boy role of Prince Charming was Pamela Alderson, the thigh‑slapping hero of the day. Pamela delivered a confident and charismatic performance, showcasing the skill and assurance of an actor who is clearly no stranger to the stage. She portrayed Prince Charming with ease and natural flair, offering just the right blend of charm, strength, and traditional panto swagger. Her vocals were equally impressive, with her musical numbers performed with clarity, control, and a warm tone that suited the character perfectly.

Playing Dandini, the Prince’s ever‑loyal valet, was Amy Louise Bridgwood, who delivered a lively performance with excellent interaction alongside Prince Charming. Amy’s confident stage presence and clear characterisation ensured Dandini remained an engaging and enjoyable part of the storytelling.

Gareth Graham delivered a standout performance as Baron Hardup. His commitment to the role was evident from start to finish; he remained fully in character throughout and interacted naturally with the entire cast. Gareth brought humour, warmth, and a touch of weary charm to the role, making his portrayal both entertaining and memorable.

Playing his new wife, Baroness Goldie Digger was Holly Moffit who made an instant impact from the moment she stepped onto the stage. Her scheming antics, dislike for Cinderella, and larger‑than‑life personality immediately established her as the production’s resident villain. Holly’s performance was enhanced by a cleverly adapted musical number “Gold Finger,” reimagined as “Gold Digger” which she delivered with confidence, strong vocals, and just the right amount of comic villainy. It was a well‑executed moment that added humour and originality to the show.

Taking on the comic role of Buttons was Em Alderson, who delivered a standout performance from start to finish. Em brought an infectious energy to the stage, combining quick‑witted humour with a genuine warmth that instantly won over the audience. Her interaction with the audience was natural, well‑timed, and full of charm everything you want from a classic pantomime comic.

Making their grand entrance as the Ugly Sisters were Hyacinth Digger, played by Ruano Sutton, and Lowacinth Digger, played by Malcolm Alderson. Bursting onto the stage to their musical number “Hot Stuff,” they immediately set the tone for mischief, mayhem, and high‑energy comedy. What an entrance and what superb casting. Both performers demonstrated an exceptional understanding of pantomime humour, working the stage with confidence and impeccable timing. Their larger‑than‑life antics, expressive characterisations, and perfectly delivered one‑liners had the audience laughing throughout. The chemistry between the two was undeniable, and their interaction with the crowd added an extra layer of fun to every scene they were in. It was clear that Ruano and Malcolm relished their roles, and the audience loved every moment.

Niomi Shereen Spirit took on the role of the Fairy Godmother, and she certainly looked every inch the magical figure the audience hoped for. Her costume sparkled beautifully under the lights and was undoubtedly the envy of every young child watching. Niomi delivered her character with warmth and charm, guiding the story along with a gentle authority befitting a true Fairy Godmother.

Lindsey Surtees played the Queen of Everafter, offering a composed and regal performance that complemented the royal scenes perfectly. Amelia Greer, as Major Domo, also delivered a confident and supportive portrayal, adding to the strength of the palace ensemble.

And then there is the ever‑versatile Bethany Imray a true example of dedication and adaptability in amateur theatre. Bethany seemed to appear in almost every scene, taking on multiple roles with ease and reliability. Her ability to switch characters, remember each entrance and exit, and maintain energy throughout the show was impressive. A well‑deserved acknowledgement goes to Bethany for her hard work and commitment; she played every required role with confidence and enthusiasm.

Congratulations must also go to those who were not in named principal roles but whose contributions were equally vital to the success of the production. The ensemble brought energy, commitment, and energy to every scene. Their teamwork and enthusiasm enriched the overall pantomime experience. Well done to Grace Carrick, Rebecca Reid, Nathanael Robin, Stephanie Nicholas, James McLean, and Natalie Tidy

Woodlands Theatrical Society should be immensely proud of what they achieved with this year’s production of Cinderella. From strong principal performances and well‑crafted choreography to the delightful contributions of the ensemble and dancers, this pantomime showcased the commitment, creativity, and community spirit that lie at the heart of amateur theatre.

The attention to detail, the professionalism on display, and the sheer enjoyment radiating from the cast made for a thoroughly entertaining evening. It was clear that every member of the company whether on stage, backstage, or in the creative team played a valued role in bringing the magic of Cinderella to life. I particularly enjoyed the audience participation game, where the children were invited on stage to play the classic “Higher or Lower” card challenge. It created a wonderful moment of interaction, full of laughter, excitement, and genuine delight. The cast handled it beautifully, ensuring that the two children felt included and the audience remained fully engaged. It was a charming addition to the show and captured the true essence of pantomime fun.

Congratulations to everyone involved. Woodlands Theatrical Society delivered a heart‑warming, laughter‑filled, and beautifully presented pantomime that delighted audiences of all ages. We look forward to seeing you all in your next production A Euro Vision Party.

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