Chitty Chitty Bang Bang

Based on the 1968 film, Chitty Chitty Bang Bang continues to be a popular stage production. The show successfully captured the story’s magic, from inventive props such as the breakfast-making machine to the enchanting toy shop scene featuring a musical box and not forgetting the iconic flying car.

Brendan Lynch delivered a strong performance as Caractacus Potts, combining excellent vocals with a lovely and engaging portrayal of the role. Erin McQuillan, as Truly Scrumptious, complemented this well with a gentle and convincing performance, supported by strong vocal ability. A lovely stage partnership.

Victoria Connor (Jemima) and Alfie Campbell (Jeremy) performed with confidence and ease, demonstrating excellent stage presence. Alan Morton’s portrayal of Grandpa Potts effectively highlighted the character’s eccentricity.

Comic elements were well executed by Rob Marshall as Baron Bomburst and Sophie Lamont as Baroness Bomburst, alongside Larry Clark and Harry Groome as Boris and Goran. Supporting roles were also well cast, including Nicole Gusha as Coggins, Robin Kendall as the Toymaker, and Alan Orr as Lord Scrumptious. Keith MacLeod's Childcatcher was particularly impactful. Special mention should be given to Eve the dog, paying Edison, whose performance was impressively well-trained and seamlessly integrated.

The ensemble and supporting principal cast contributed positively throughout. Choreography was polished and engaging, with highlights including "Toot Sweets" and "Me Ol’ Bamboo," while "Doll on a Music Box" stood out as a particularly memorable moment. The talented ensemble of children shone in their scenes, clearly demonstrating the dedication and effort that had gone into rehearsals, which resulted in strong performances throughout.  

There is always great expectation in the theatre when seeing Chitty Chitty Bang Bang as everyone loves to see the flying and floating car. It was quite a magical moment in Act 1 and even more so in the finale of the show. A stunning car which was a real technical success and wowed the audience

Under the musical direction of Sean Stirling, supported by the orchestra the singing was confident and vocal harmonies were well executed. Direction by Jon Cuthbertson and choreography, Lynne Bustard were slick and engaging bringing good energy to the production, and the transition of scenes and the large set was managed well. Overall, this was a great performance by The Lyric club.

 

 

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