Carousel

Romiley Operatic Society presents Carousel
Music by Richard Rodgers
Book and Lyrics by Oscar Hammerstein II
Romiley Operatic Society should be incredibly proud of their production of Carousel. This
timeless Rodgers and Hammerstein classic was presented with care, commitment and a clear
love for the material from everyone involved.
This was clearly a labour of love for Director Dawn Leigh. The direction felt assured from
start to finish, guiding the audience confidently through the emotional highs and lows of the
story. With such a layered and sometimes challenging piece, the clarity of storytelling was
evident throughout. The performance had a steady hand at the helm, and that comes from
experience and dedication.
For me, the choreography by Gary Jones was a true standout of the production and deserves
special celebration. There were moments of pure beauty and synchronised technique that
genuinely warmed my heart. The opening sequences of both Act I and Act II were strong and
engaging, immediately setting the tone. The Ballet sequence was handled with grace and
maturity, and the Snow Children added charm and detail to the stage. The younger ensemble
shone during these moments, demonstrating discipline and joy in equal measure.
Musically, the production was led by Paul Lawton as Musical Director. Conducting live
musicians for a score as rich as Carousel is no small task, and it was a pleasure to witness.
Throughout the performance, my eye was often drawn towards the orchestra, appreciating the
musicianship and support given to the cast. The live music added depth and atmosphere
without overpowering the stage.
Behind the scenes, the technical team ensured the production ran smoothly. Stage
Management by Steve Hilditch and Tracy Harper kept the show flowing, while Lighting
by Ian Legate supported the emotional journey of the piece. Costumes by Janet Newcombe
and Annabel Reyes were beautiful and appropriate to the period, helping to create a
cohesive visual world. The staging design by Steve Hilditch, Steven Bailey and Keegan
Jones-McCaw was something I particularly admired — clean, simple and effective. The
subtle transitions allowed the audience to focus on the storytelling and performances without
distraction. Props by Danielle Barton-Crump and Hannah Coupe completed the world
thoughtfully.
With a cast of around 50 performers, this was an ambitious undertaking filled with talent and
dedication. The ensemble created strong stage pictures and maintained energy throughout the
production. In particular, I enjoyed watching Kieran Lever and Jack Lightfoot during the
larger ensemble and dance numbers — their stage presence, confidence and clear enjoyment
were infectious.
Leading the story were Gareth Smith as Billy Bigelow and Kirsty Tatler Marshall as Julie
Jordan. Both portrayed their characters with professionalism and strong vocals, guiding the
emotional heart of the piece. Their performances captured the complexity of the roles and
anchored the narrative effectively.

A standout performance for me was Kirsty Podlaski as Carrie Pipperidge. Her portrayal was
lively, confident and filled with personality. Each entrance brought a lift to the stage, and
even within ensemble moments, she remained a focal point. A performance to be proud of.
I also greatly enjoyed the powerful portrayals by Claire Egerton as Mrs Mullin
and Elizabeth Philips as Nettie Fowler. These strong female roles were delivered with
sincerity and presence. “You’ll Never Walk Alone” was a particularly moving moment and
clearly resonated throughout the auditorium.
A special mention must go to the Act II Ballet sequence. I was in awe of the talent displayed
by Olivia Williams as Louise Bigelow and Oliver Cunliffe. Their technique, poise and stage
presence during this demanding section were impressive, and it is exciting to see such strong
young talent emerging.
My guest and I thoroughly enjoyed our evening with Romiley Operatic Society, and I would
also like to acknowledge the warmth and friendliness shown to us throughout our visit.
Community spirit is such an important part of theatre, and it was very much present here.
I look forward to seeing what Romiley Operatic Society brings to the stage next.

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