Call Me Dusty

I saw this production originally in 2019, BP (before Pandemic) - it was presented by LIDOS in the Studio of the Carriageworks - my review then enthused over the production and my feelings haven't changed a second time around - but a lot has changed in the production itself.

This recent showing has been presented by a new company, LYM Productions, which has branded itself as a touring production team run by Bryan and Carolyn Craven - I was delighted to see in the company profile that it was run by people over retirement age but still young at heart! How splendid!

Directed brilliantly as before by Bryan Craven, the story takes us from Dusty Springfield's young life to the icon she became and her untimely death from breast cancer at the age of 60. This powerful piece of theatre - this was a 'no holds barred' dramatic portrayal, of a shy but determined performer who had to hide her sexuality from the public but whose songs have remained with us over the years - the Author, Derek Webb, neatly fitted in the multitude of scenes from her life story in a way that pulled at the heartstrings - especially from my age group, who remembered her songs so vividly but basically, knew nothing about her life.

Jane Collins once again took on the massive role of Dusty - this versatile and talented actress caught perfectly the humour and pathos of Dusty, moving effortlessly from the shy London schoolgirl to the assured performer she became. What a tour-de-force! With umpteen costume and wig changes, she captured the essence of this great performer and held the transfixed audience in the palm of her hand. She mimed mainly to Dusty's own recordings but sang live as well, perfectly capturing the nuances of the songstress. She was supported by five actors playing a multitude of roles - these were all superbly acted by Marie Isbister, Graham Siddle, Richard Hunt, Matt Jones and Martin Isbister, bringing to life the various people who dipped in and out of Dusty's life.

From the production side, Bryan brought together a strong team - the stylised sets and props were minimal (totally in period) but effective for the variety of stages to be worked on, mainly village halls and small venues in the tour. Paul Harding was the Stage Manager, Lighting by Tina Nutt and Film Production by Chris Beardwell, whose effective use of film projections added to the professional look. A special mention has to be made of the perfect 60's costumes and wigs by Carolyn Craven (who was also the Assistant Director) and Gilly Carr as Dusty's dresser - it must have been like a military operation to do so many quick changes in extremely small spaces - 39 for Dusty alone - a huge pat on the back for this, you have my admiration and amazement!

At the end of the performance, the audience gave a huge round of applause to this talented company - and I have to admit, I wiped away a tear - not just for Dusty's difficult life, but in memory of my own teenage years brought back to me so effectively.

A truly dramatic piece of theatre - I can't wait to see what LYM Productions come up with next!

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