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Calamity Jane

Author: Doreen Grierson

Information

Date
14th August 2026
Society
Kenley Holiday Workshop
Venue
The Barn Theatre, Oxted
Type of Production
Musical
Director
Ros Broyd assisted by Scarlet Louca
Musical Director
Michael Burbidge assisted by Alice Dallosso
Choreographer
Kerry Payne assisted by Jessie Harrison
Producer
Sally Dallosso

Adapted from the film, the stage show originally starred Doris Day. The story is familiar to many of us, with its memorable dialogue and songs, and its portrayal of Calamity Jane’s wish to be “one of the boys” while still revealing her vulnerability.

The first thing that struck us on seeing the stage was the incredible set design, with impressive attention to detail in both acts. The set dressing and props were impeccable, so hats off to the designers and construction team. The lighting design worked well. Although we couldn’t see the seven-piece band, MD Michael Burbidge kept the sound perfectly balanced so the soloists and ensemble could be heard clearly. Kerry Payne’s choreography was lovely to see, involving the whole cast from the youngest to the oldest. Sally Dallosso and her team once again worked their magic with the costumes, which were largely beautifully detailed—although brides in black shoes?

Laura Woods captured Henrietta Miller, the bar owner, with just the right “don’t mess with me” attitude for running a saloon. Alex Cundhill was very amusing as Francis Fryer, particularly in his song and dance and in handling the character’s female persona. Hannah McKirdy showed Katie Brown’s journey from nervousness to confidence convincingly, and her pairing with Tariq Guermellou as Lieutenant Danny Gilmartin worked well. Alex Absalom-Sanchez played Calamity Jane brilliantly, with a lovely singing voice and a strong ability to shift from masculine to feminine. She also made a great pairing with Mason Draper as Wild Bill Hickock, a self-assured young performer with a blossoming voice. Everybody managed an authentic sounding American accent – well done.

With such a large cast, it would be impractical—almost impossible—to mention everyone individually. However, every cameo part and every member of the ensemble appeared confident, self-assured, thoroughly engaged and above all, enjoying themselves. A production like this depends on the dedication of the whole team and director Ros Broyd must be very proud of another success. KHW continue their long tradition of developing local young performers and creating great shows.

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