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Bring It On The Musical

Author: Kirstie Turnbull

Information

Date
9th March 2026
Society
Woodkirk Academy
Venue
Woodkirk Academy
Type of Production
Musical
Director
Lauren Tosney
Musical Director
Kathryn Clarke
Choreographer
Lauren Tosney
Producer
Lauren Tosney
Written By
Jeff Whitty, Tom Kitt, Amanda Green and Lin-Manuel Miranda

Woodkirk Academy took to the stage with energy, confidence and style in their vibrant production of Bring It On: The Musical. Based on the popular film franchise, the musical follows the journey of Campbell, a high-achieving cheerleader whose world is turned upside down when she is unexpectedly forced to change schools. What unfolds is a story of rivalry, friendship, self-belief and discovering where you truly belong — all told through powerful vocals, athletic choreography and plenty of humour.

At the heart of the story is Campbell, played by Sophie Lewis, who commanded the stage from the moment she appeared. Leading from the front, Sophie delivered a confident and engaging performance and proved herself to be a standout leading lady, carrying the narrative with both vocal strength and believable characterisation.

At the start of the show we meet Campbell’s perfectly polished cheerleading world at Truman High, where she is surrounded by her squad. The Truman girls were brilliantly portrayed by Ruby Dobson as Skylar and Poppy Stoker as Kyla. Both demonstrated impressive flexibility and strong dance technique, alongside the ability to convincingly portray the sharp-edged “mean girl” energy required of their characters — something that, one suspects, is far removed from their real personalities. Completing the Truman line-up was Eva, played by Delilah Holt, who delivered a commanding stage presence for someone so young. Her performance had an air and resemblance reminiscent of Emma Watson, combining confidence with a knowing charm. Delilah is clearly a talent to watch for the future.

Campbell’s boyfriend Steven, played by Toby Foster, provided many of the show’s lighter moments. Toby showed great skill in delivering the humour of the character, particularly during the smaller duet scenes, before portraying Steven’s bewildered cluelessness when Eva’s manipulation of events is finally revealed.

As Eva’s scheming leads to Campbell’s unexpected relocation, the story moves from the polished cheer world of Truman to the very different environment of Jackson High. Here Campbell encounters a new style of performance and a new group of friends, led by Danielle, played by Celine Marindiko. Celine brought confidence and authority to the role, forming the backbone of the Jackson crew. She was joined by Nautica, Grace Dobson, and Sonny Mortimer as La Cienega. Grace demonstrated a depth of ability in delivering commercial-style dance while also helping hold the choreography together across the ensemble. Sonny, meanwhile, demonstrated an impressive level of skill portraying such a complex character. In an age where boys performing in school productions can sometimes be unfairly overlooked, Sonny’s performance was a reminder of the creativity, commitment and talent that young performers bring to the stage. He is a credit to the Academy — well done, Sonny.

The Jackson story also introduces Randall, played by Harry Anderson, the show’s male protagonist. Harry is no stranger to the stage and once again showed a new side to his acting and singing ability. His raw, rock-influenced voice suited the role perfectly, and he delivered some of the production’s most emotionally resonant moments — particularly as Randall encourages Campbell to recognise her own worth and believe in herself.

Supporting roles were filled by Khaya Dube as Twig and Ivan Yeboah as Cameron. Both newcomers to the Woodkirk stage, they showed great potential and confidence, suggesting exciting things for future productions.

Both the Truman squad and the Jackson crew were supported by strong ensemble performances. The choreography featured clean lines, sharp moves and clear staging — every performer clearly knew their place and purpose, creating visually effective and high-energy scenes throughout. Additional vocal depth came from the Truman and Jackson choirs, whose harmonies added richness to the musical numbers.

A particularly pleasing feature of the production was the live band, made up of both students and teachers. It was wonderful to see such talent on display and to witness young musicians being given the opportunity to perform a full-scale musical score while still at school — an experience that will undoubtedly stay with them.

Behind the scenes, a tremendous amount of work brought the production to life. Credit must go to directors Lauren Tosney and Daniel Grieg for steering the show so confidently. Catherine Clark, as musical director, ensured the vocals and band were strong and cohesive throughout. Lauren Tosney also took on the roles of choreographer and producer, guiding the show’s visual style and energetic staging.

The technical elements were equally impressive. Scenery was provided by CS Technical LLP alongside the dedicated site staff. Sound effects and green screen videos by Nick Gage added an extra layer of creativity, while lighting and sound from CS Technical LLP and Productions helped create a polished and professional atmosphere.

A large costume and props team worked hard behind the scenes, alongside an equally dedicated front of house team who ensured audiences were warmly welcomed.

Taking on a musical that is not as widely known or frequently performed is always a bold choice, but Woodkirk Academy approached Bring It On: The Musical with confidence, energy and style. The result was a production that felt vibrant, polished and — above all — effortless.

Congratulations to everyone involved in a wonderful production. Woodkirk Academy should be incredibly proud of the remarkable talent showcased both on stage and behind the scenes.

 

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