Born to Perform

It was a true privilege to attend the Spennymoor Youth Theatre Group’s latest production, “Born to Perform,” a dazzling concert that shone with energy, diversity, and a remarkable sense of positivity that simply bounced from that stage. The evening was a testament to the boundless enthusiasm of young people for the arts and those who support and nurture them.

From the moment the house lights dimmed, and the first notes rang out, the audience was transported into a world where music, dance, and youthful ambition entwined to create something truly memorable. The production, directed with a keen eye for both spectacle and sincerity by Louise Defty, offered a veritable kaleidoscope of musical numbers and vibrant choreography by Megs Defty, each lovingly brought to life by an enthusiastic and talented ensemble.

It is clear that a significant amount of thought and care went into the curation of this concert. Each transition was smooth, and momentum and pace never flagged—a testament to the disciplined rehearsals and the Louise and Meg’s skill in sustaining energy across a diverse selection which can be difficult to do in a concert set up. Really well thought out and paced.

The stage design was refreshingly simple, allowing the cast’s performances to remain front and centre. Clever use of lighting by Mark Turner of Brightstar Light and Sound enhanced each piece, from bold, bright washes for the show-stopping numbers to more delicate hues that highlighted the emotional beats in softer, slower songs.

The inclusion of more contemplative pieces provided welcome contrast, allowing some of the older or more experienced members to shine in solo moments, showcasing the unbelievable talent in the group of both juniors and seniors.

“Born to Perform’s dance numbers sparkled from start to finish. The choreography from Meg was inventive yet accessible, perfectly pitched to both challenge the children and ensure their enjoyment. I really do enjoy watching what she creates. Every face on stage radiated joy, determination, and a love for the craft.

Ensemble numbers were confidently executed, and the intricate group formations were handled with aplomb, even by the youngest members of the company. Solos and smaller group dances provided opportunities for individual talents to shine, and it was a pleasure to witness the camaraderie and support shared between cast members.

The heart of any youth production is, of course, its cast, and here Spennymoor Youth Theatre Group excelled. The children, ranging from the smallest juniors to confident teens, threw themselves into every number with gusto. Their enthusiasm was tangible, as was their discipline and focus; entrances and exits were smooth, cues were hit with precision, and each young performer had clearly been encouraged to find their unique voice within the ensemble  The sense of family, fostered by the group’s leadership, was evident in the way the cast supported each other, celebrated together, and worked collectively to produce the best possible show.

Several notable solo performances deserve praise, delivered with poise and maturity beyond the performers’ years. Yet even in these moments, the ensemble remained engaged, supportive, and invested in each other’s success—a true mark of a well-rehearsed and harmonious company. I particularly enjoyed solo performances from Millie Payne, Lucy Edwards, Rhys Bye, Amy Gatland, Jayden Nixon, Willow Henderson, Abi Thompson, Faith McDermott, Tasha Witton and Megs Defty to name a few but every single person on that stage shone like a star.

“Born to Perform” was, in every sense, a celebration—of youth, of creativity, and of the magic that happens when young people are given the opportunity to express themselves. The concert’s blend of musical variety, dynamic choreography, and unflagging energy ensured there was never a dull moment. The professionalism of the creative team, combined with the dedication and talent of the cast, resulted in an uplifting evening that will linger in the memories of all who attended.

Congratulations to all involved—on and off stage—for delivering an evening that so beautifully demonstrated the transformative power of the arts. It is clear that the future of musical theatre in Spennymoor is in very safe and talented hands.

 

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