Blithe Spirit

Centenary Theatre Company were back on stage with their production of the classic, ‘Blithe Spirit’, which was directed by Rosie Shields. The set generally looked good. There were a few items of furniture that didn’t look right, such as the round table, which broke during Act One, but was replaced by a sturdier table for Act Two. The transitions between scenes were good; ensuring the pace of the production was kept up. Characters had been well drawn out by Rosie, with each making their mark. The effects of the patio doors opening and closing by themselves, and the general mayhem at the conclusion of the play were well handled, creating the right atmosphere. The comedy was there throughout the production, thanks to Rosie’s secure direction. The blocking was well considered, using the space well and ensuring that key moments were seen. The séance was well staged with great use of sound and lighting. Costumes were a visual delight, particularly Madame Arcati’s colourful attire. Elvira’s wig didn’t appear to be sitting right, so just needed to be adjusted.

Technical aspects were well thought through in this production. The sound effects were well thought of and cued on time. They were at the right level, never distracting from the action on stage. The lighting design was a strong element of the production, especially during the séance and the ghostly happenings. Together, with sound, it created the appropriate feel for those moments.

Phil Dean took on the role of Charles Condomine. This was a strong performance from Phil, and he anchored the production well. He was suitably suave and in control initially, and there was a nice change in character as the torment began. His interactions were witty, and he led the production extremely well.

Hayley Fulcher played Ruth Condomine. This was a solid performance from Hayley as the current Mrs Condomine, creating a well-rounded character. The frustration at not being able to see Elvira was nicely played, as was the united front they put on at the conclusion of the play.

Lisa-Ann Connor played Elvira Condomine. This was a delightful performance from Lisa-Ann, who had a glint in her eye as the ghostly apparition. She prowled around the set with delightful menace. She was playful in her interactions with Charles, always keeping him on his toes with her plans!

Helen McLoughlin played Madame Arcati in a performance very much reminiscent of Emma Thompson’s character, Professor Trelawney, in the Harry Potter films. Helen’s physicality in the role further pushed the comedy, along with her excellent facial expressions, helped create a unique and memorable portrayal.

Harry Twining and Carrie Clarke created a nice partnership as Dr Bradman and Mrs Bradman. Harry was very much the straight man, suitably officious in his doctor role. This contrasted brilliantly with Carrie’s portrayal of the excitable Mrs Bradman. The energy and commitment that Carrie brought to the character was second to none. Carrie’s mannerisms and expressive face brought the character to life, and she created a delightful cameo performance.

Jo Preston proved to be a consistent and reliable performer as Edith. The reactions throughout were good, including the initial business at the beginning of the production, adding to the comedy of the production.

Overall, this was a good production. There were delightful performances, strong staging, and the direction was secure throughout.

A big thank you to everyone at Centenary Theatre Company for their kind invite and hospitality.

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