Blithe Spirit

I recently had the pleasure of attending Ovingham Drama Group’s 50th anniversary performance of Noël Coward’s classic comedy, Blithe Spirit. As someone experiencing both the group and this celebrated play for the first time, I arrived exited for what was to come!

From the outset, the set design transported us straight to the 1940s, with impressive period detail and authentic props such as the megaphone, decanters, and martini glasses providing a delightful touch. The atmospheric lighting further heightened the spookiness of the séance scenes, immersing the audience in Coward’s world of witty spirits and supernatural mischief.

Scene transitions, however, were somewhat slow and dark—a practical necessity for blackouts, though they did break the flow at times. Introducing some 1940s music during these moments could have helped maintain the mood and keep us anchored in the era. It was also a slight distraction to see a lead female character moving chairs and tables during transitions, which felt a little out of step with the period, but it was clear that everyone was pitching in to ensure the show ran smoothly.

While the direction displayed flashes of assurance and imaginative staging, the pacing occasionally stalled, with transitions lacking fluidity. Nevertheless, the director’s focus on ensemble work and effective blocking allowed the cast’s strengths to shine. The production succeeded in capturing much of the charm, wit, and supernatural energy at the heart of Blithe Spirit, thanks to the commitment of the cast and crew and thoughtful technical touches.

The cast faced an unexpected challenge due to a last-minute family emergency, resulting in a change of roles for Ruth and Edith. 

Jane Singh, stepping into Ruth’s shoes with script in hand, quickly found her rhythm and blended seamlessly with the ensemble. Her portrayal was especially impressive given the circumstances, as she managed to embody Ruth’s cool composure and subtle wit and her ability to maintain Ruth’s presence and authority, even as she navigated the complexities of performing at short notice, was particularly commendable.

Brenda Parker brought Edith to life with comic timing and endearing mannerisms, providing much-needed levity. Brenda’s contribution was instrumental in balancing the play’s more serious undertones with genuine humour.

Dr & Mrs Bradman, played by Richard Heslop and Lorraine White, brought energy to the production. While their performances were understated, their presence as the sceptical doctor and his excitable wife provided a necessary contrast to reserved Ruth & Charles, helping move the story along. Their interactions offered moments of lightness that complemented the play’s overall humour and contributed to the ensemble’s dynamic.

Bill Clegg’s portrayal of Charles was both charming and precise—his commitment to the role was evident, even in the smallest details. Bill was line perfect and could even be seen mouthing the words of the other players. As Charles, he anchored the production, masterfully balancing the character’s bewilderment and dry humour. Bill provided a steady centre around which the rest of the cast could orbit.

Bill’s daughter, Lizzie Hodgson played Elvira, infusing the character with a deliciously cruel streak and a hellish razor-sharp wit. Her Elvira was every bit the mischievous, otherworldly spirit Noël Coward envisioned—playful and seductive yet laced with an undercurrent of malice that kept Charles and the audience alike on their toes. Lizzie balanced the character’s flirtatious charm with a sardonic edge, making Elvira’s ghostly interventions both hilarious and tinged with a wicked sense of glee.

Sue Douglass’s performance as Madame Arcati was superior and was the highlight of the evening. From the moment she appeared on stage, she commanded attention with her infectious energy and eccentric flair. Sue infused the character with boundless enthusiasm and sparkle. Her portrayal was both spirited and nuanced, effortlessly breaking the polite veneer of the household and injecting a much-needed sense of fun into the proceedings. With impeccable timing and physical comedy, she brought Coward’s formidable medium to vibrant life, ensuring that Madame Arcati remained unforgettable in this production.

The production’s costumes were thoughtfully chosen, evoking the period with elegance and subtle flair. Each character’s attire not only reflected their personality—Ruth’s tailored sophistication, Elvira’s ethereal glamour, and Madame Arcati’s memorable eccentricity—but also served the practical demands of the play’s quick pacing and scene changes. The wardrobe choices added a layer of authenticity that helped transport the audience into the world of the play.

Blithe Spirit is a play that thrives on sharp dialogue, eccentric characters, and the interplay between the living and the spectral. Ovingham Drama Group’s production captured much of this spirit, and it was a joy to see the cast and crew rise to the occasion, especially under the pressure of last-minute changes. Their dedication and camaraderie shone through, making for a memorable evening.

Congratulations to everyone involved on marking 50 years of ODG with such an ambitious and entertaining production. I look forward to seeing what you do next!

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