Blithe Spirit

Blithe Spirit was first staged on Broadway in1941 and then at Manchester Opera House before opening in the West End on the 16th of June. Despite poor reviews, and amidst the harsh realities of the time, the audiences loved this darkly amusing satirical comedy and it ran for almost 2000 performances.

The play was another triumph for St. Hilda’s Entertainers. I saw it many years ago and couldn’t remember much about it, but I will certainly remember your production.  This great Noel Coward classic was brought to life -- farce, emotion and wit were heightened by the excellent timing.

The opening scene was of the living room of the author’s home. The set was impressive and the stage most attractively dressed with furniture and properties eminently suitable for the period, 1930s. I’ve made this comment before but it’s worth another mention, you really do work wonders considering the amount of room you have on the stage. The period gramophone was put to good use each time Madame Arcati needed music and the song was a reminder of the lovely melodies of the time. You always accompany your productions with appropriate music.

Anwen was very good in the role of Ruth Condomine, the strong willed second wife, more than a measure for her husband Charles who had to cope not only with her but also the ghost of Elvira his first wife, thanks to Madame Arcarti’s dabbling in the occult.

Neale was excellent as Charles Condomine and together they made a very credible, successful couple.

In the role of Madame Arcarti, Kim Cooper epitomised the general expectation of the character of a spiritual medium and she had the audience in stitches with her antics.  She gave a memorable performance and her diction was first rate.

Dr. Bradman and his wife joined the Condomines for the séance and as Steve’s delivery is always rather measured, the part of the doctor suited him - he played it well.

Laura Allen made an imposing doctor’s wife. Her diction was notable and her acting praiseworthy.

Sophie Gane was clearly enjoying playing the flirtatious and catty first wife Elvira – it must be a fun role to take – and she was spirited (no pun intended!) and captivating.

Last, but by no means least, Rachel Barnes was perfect as Edith the maid. She gave a strong performance – her demeanour was just right, dialogue clear and her facial expressions were matchless.

Congratulations to Sue on her direction and for bringing the best out of her talented cast. The twist near the end leaves poor Charles dealing with the spirits of two ex-wives - wouldn’t a sequel have been interesting!

Lighting and sound were good and operated on cue, costumes were exceptionally so – loved Ruth’s frock in the opening scene – and from the vases to the telephone and gramophone, the play echoed the era in which it was set.

Your programme doesn’t mention those responsible for design and build of the set -- they did a splendid job once again, as did the props team.

Thank you for providing such a wonderful evening's entertainment with your production of 'Blithe Spirit'.

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