Beauty and the Beast

Beauty and the Beast needs no introduction - this is the charming re-telling of the classic Disney film, a heartbeat of nostalgia from the moment the orchestra’s overture begins. This production was colourful, heartwarming and energetic throughout.

Vocals by all the performers were consistently strong, with ‘Human Again’ and ‘Kill the Beast’ particularly standing out from the group numbers with high energy. I enjoyed the choreography which suited the diverse casting well. ‘Gaston’ and ‘Be Our Guest’ were highlights in this area. ‘Be Our Guest’ was visually spectacular with the inclusion of the colourful visuals on the screen and the sparkling gold and blue worn by the ensemble.

Furthermore, costumes (Dan Smith) were of a very high standard. They had colourful and whimsical sense of character, whilst also having a tint of uniqueness. Belle’s ballgown was suitably stunning. Each ensemble member from the ‘Filles’ to the dancing spoons were attired with care, and the wigs were also of a high standard.

All the principal cast were well suited to their iconic character roles, without becoming carbon copies of the film. The castle group of Lumiere (Dan Smith), Cogsworth (Andrew Payne), Mrs Potts (Amanda Howell), Madame de la Grand Bouche (Laura Marvell-James), Babette (Briony Gabriel) and Chip (Hazel Broughton) made a strong united team with their antics to help the beast break the spell. All had fantastic characterisation, rapport and vocals.

I can’t imagine a better casting for Gaston than Lewis Aves. He looked like he was enjoying all his bicep pulses and poses, dazzling the audience with smugness and strong vocals. He was ably supported by Ryan Davenport as LeFou, oozing admiration for his role-model.

The Beast, played by Aly Gatfield had a great stage presence and strength in ‘If I Can’t Love Her’. I personally felt the choice in his fluffy mask perhaps cloaked his ability to express some emotion, during his more dramatic moments of turmoil and anger.  

As Belle, Daisy Wilson certainly looked the part of a Disney princess, bringing a high energy and vivaciousness to her portrayal. She stood out particularly in the second act with a triumphant, ‘A Change in Me’ and I enjoyed the gentle moments she shared with her father (Maurice), Peter Howell.

The show looked fantastic throughout, with the background video wall giving an animated atmosphere. Designs by Dan Smith aided transitions between scenes but were also embellished with depth-enabling set pieces. The ballroom scene in particular looked magnificent. There was a little difficulty getting some of the set pieces on, and some transitions that were perhaps visible when they possibly shouldn’t have been, but this in no way hindered enjoyment.

Light and sound (Matt Cross) was of a high standard, with the lights shifting to suit atmosphere and dazzling moments. I particularly enjoyed the lighting that shimmered in the audience during the Beast‘s transformation. There were a few late mic moments (mostly during ensemble pieces), but vocals were very clear throughout. The orchestra were a delight – it’s always lovely to hear them live as opposed to a backing track.

The front of house team was especially welcoming, and it was lovely to see such a friendly society celebrating their success. Congrats to directors Andrea Wilson, Martin Rodwell and all the charming cast and crew for such a magical evening.

 

 

 

 

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