Beauty and the Beast

Beaconsfield Operatic Society’s Centenary Year Production was Disney’s classic fairy story ‘Beauty and The Beast’. It was brought to life on the stage of the Phoenix Theatre in Blyth, with all of the proverbial ‘stops’ being pulled out to their limits.

When you go to see a Disney show, you expect a little bit of magic and this was no exception. We were introduced to the magical story by the voice of Peter Robertson in his beautifully warm prelude as Narrator. This was the start of some wonderful musical theatre for which the whole of the characterful cast should be thoroughly proud.

This excellent production was further enhanced by a superb video wall, which had the effect of immersing its audience into the action of the piece. It was a magnificent addition which, on a limited stage, did away with all of the problems of scene changes and kept the action flowing all of the time. Well done on what I’m sure BOS would agree was a fabulous investment.

Colour is another Disney necessity and beautifully crafted costumes designed by Elizabeth Dennis and made by UK Productions, together with expert lighting design and effects by Mark Turner of Brightstar Lighting and Sound brought this tale to life in all of its colourful splendour, including a fabulous transformation scene when the ‘Beast’ becomes human again. (I do, however have a slight niggle here… the attention to detail as far as costumes is concerned is vital, even down to footwear… sorry, but modern day styles won’t do!.)

At the centre of this magical experience was Kathryn Sabourn, who brought Belle to life with depth and sincerity. Her portrayal was nothing short of spellbinding, capturing Belle’s courage, intelligence, grace and compassion that resonated deeply with the audience. Her vocal performance was a highlight, especially during “A Change in Me,” where her control and emotional delivery soared.

Her chemistry with the Beast, played by James Thompson was palpable, and their relationship unfolded with an authenticity that the audience found completely believable during their journey together. Alex Easten’s Gaston, on the other hand, absolutely did the Disney villain justice, he was the man we loved to ‘hate’.

The role of Lumière, nicely and camply portrayed by Mark Navin, was another standout performance in the production. He embodied the charismatic candelabra with a perfect mix of humour and charm, making him an audience favourite. His rendition of “Be Our Guest” was a showstopper, bursting with energy and precision. That is of course, not to mention the incredible ensemble of dancers, plates, forks, knives and other sundry culinary equipment that dazzled the audience, both on-stage and on the video wall. He was ably supported by the other ‘household’ characters, particularly Kath Dryden as a lovely Mrs Potts, who sang the title number beautifully, assisted by Chip, the excellent Abigail Batey, Dave Cooper as the bumbling Cogsworth, Hannah Eldridge who excelled as Madame de la Grande Bouche – which she certainly did have! and Carly McLeary was a beautiful Babette.

Michael Douglas as Maurice, Belle’s father, played his role with humour and compassion - a lovely portrayal (I do wish his invention would have ‘done’ something, however!), and Corey Brown’s Lefou was a funny and daft knockabout, played with an assuredness belying his youth. Congratulations!. They were backed up by Laura Batey ‘en pointe’ as the Enchantress and Flower Seller, Dan Dickinson in a well named cameo as Monsieur D’Arque, a superb ensemble of village girls; well done to Ava, Sarah, Charlotte and Hannah, and numerous villagers of every kind, all nicely played by a well-focussed chorus.

The creative team of Shaunagh Burge – Director, Susan Sabourn – Musical Director (in the Green Room with her 9 piece band) and Laura Batey – Choreographer, can be pleased and proud of their results, with an effective input from Mandy Cardno and her backstage crew; a truly captivating, emotional and immersive experience for its sold out performances. It was a triumph and very much appreciated, as could be witnessed by the standing ovation received from the audience at the final curtain.

The ‘tale as old as time’ was honoured by this production. It was a pleasure to be ‘your guests’. Thanks to Chairman Kathleen from Councillor Peter and myself for the invitation and hospitality.

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