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Anything Goes

Author: Mike Pendlowski

Information

Date
7th February 2018
Society
Cupar Amateur Musical Society
Venue
Corn Exchange, Cupar
Type of Production
Musical

It is a big ask of any Company and Director to cope with a show that contains so many one-liners, an equally large number of diverse characters and scene changes that just might slow down the pace of the entire show.   Cupar AMS, however acquitted themselves admirably in all the above.  Louise Middleton characterised an excellent Reno, and, as she says in her programme biography, obviously “had great fun finding her ‘inner Reno’”.  Complemented by Andrew Doig, Andrew’s “Billy Crocker” was a joy to watch.  His impeccable sense of timing of deliveries, turned what could be a very wordy first act, into an enjoyable rendition of Cole Porter’s lyrics, which are never – even at the best of times – easy!   Helen Knowles-Venters delighted as Hope Harcourt, none more so than in her duet with Billy “It’s De-lovely”.   Moonface Martin (Alan Blair) and side-kick Erma (Jackie Beatson) both added their own brand of comedy to the show – Jackie’s squeaky voiced portrayal, adding to the already comedic lyrics – and well-done for keeping up the squeak throughout! The matriarchal character of Evangeline Harcourt (Ruth Anderson) provided plenty of laughs whilst Neil Jarrett as Lord Evelyn Oakleigh brought every ounce of comedy to this part (one of my favourite in the show!), and made a showstopper out of “The Gypsy In Me”.  Choral singing and choreography was up to the usual high standard of Cupar AMS, although the night I attended, “Blow Gabriel Blow” just didn’t quite make it for me.

Sets were extremely serviceable, especially the frequent toing and froing between main deck and stateroom, which in other productions have slowed the entire pace of the show, this time no such problem.  Sound quality was consistently good throughout, with a happy balance between singers and orchestra. 

One bit of advice on lighting – please ensure that, when required, cast can be seen in all areas of the stage and especially when you use an upper level on the set.  Very often faces were underlit – or not lit at all!  I would love to see this remedied in future productions!

As always, an enjoyable evening was had at the Corn Exchange in Cupar, and many thanks for your hospitality at the interval!

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