Annie

Annie - Harold Gray, who created the original comic strip Little Orphan Annie, would surely be amazed at the success of the musical version of Annie, which first premiered in 1977. Worthing Musical Theatre Company truly honoured the history and legacy of that spirited young orphan.

The programme was full of interesting information, and the accompanying photographs will undoubtedly serve as a lasting memento for everyone involved.

The set was carefully designed, featuring simple blocks of scenery and trucks that were moved around with great efficiency. All props were essential and well-chosen, and scene changes were executed swiftly by the highly proficient stage crew.  The sound and lighting effects were first class, with well-timed cues that enhanced the production. The balanced sound made for a truly enjoyable listening experience.  There were some truly inspired touches in the costumes and makeup. Miss Hannigan’s outfits perfectly reflected her complex character. From the debonair Oliver Warbucks to the workhouse attire of the children, every costume was well chosen and worn with style.

The 10-piece band, expertly directed by Daniel Paine on keys, was a joy to listen to throughout. The overture opened the show with beautiful musicianship, and the music during the scene changes was played at an upbeat pace, making the transitions feel much shorter. The cast had been well-drilled in their musical parts, and their delivery was crisp and clear from start to finish.

This performance was a joy to watch from beginning to end – the time flew by unnoticed. I won’t go into detail about all the individuals who contributed to this superb production of Annie, but it’s worth noting that the Friday evening Annie, Elsa Cannon, embraced her role from the very start, singing with confidence and assurance. Miss Hannigan (Suzanne Britten) had us all in stitches with her outrageous attitude and drunken mannerisms, which were perfectly complemented by her beautiful, over-the-top costume. Phil Davis brought Oliver Warbucks to life, commanding the stage with his strong presence. The highly experienced cast brought their considerable talent and expertise to bear, making this a first-class performance. Congratulations are also firmly aimed at director Julie Jordan and choreographer Rachel Davis, whose collaboration brought the show to life. They managed to combine the emotional and physical elements of the performance with quirky nuances and challenging choreography.

Every performer was at the top of their game, and it was delightful to see so many families represented, spanning multiple generations – and even their dog! The future of amateur theatre is certainly alive and well with WMTC.  Thank you all for an unforgettable performance of Annie

 

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