All Shook Up

The opening number, ‘Jailhouse Rock’, set the tone for everything that followed as the leather‑clad roustabout Chad, roared into town on his ailing motorbike and collided with a community stifled by the rigid rules of Mayoress Matilda, who had outlawed singing, dancing, and even public displays of affection. Determined to shake things up, Chad set about restoring music and joy to the townsfolk. Jamie Edwardson brought real dynamism to the role, confident both in his physicality and in his vocals. Opposite him, Fiona Scott gave a warm and engaging performance as Natalie, the grease‑stained mechanic who repairs Chad’s motorbike. She brilliantly captured the frustration of a young woman dismissed and underestimated simply because her work doesn’t align with society’s narrow idea of what a “feminine” job should be. Her unrequited crush on Chad was played with great comedic timing, especially as his obliviousness drove her to disguise herself as a man – ‘Ed’, a decision that unleashed a chain of chaotic consequences. Both performers were vocally well matched, blending confidently into the whirlwind of the plot. Chiara Loia brought a cool, academic exterior to the role of Miss Sandra, the refined museum curator, whose composure melted the moment an unexpected love sonnet awakened the passion she kept hidden. Scott Glidden delivered a highly entertaining performance as Dennis, Chad’s loyal sidekick. Zander Cruikshank offered a gentle warmth as Jim Haller, capturing the essence of Natalie’s devoted, well‑meaning father with genuine affection. Laura Archibald gave a standout performance as Sylvia, the sharp‑witted café owner, bringing warmth, humour, and presence. Jo Robertson brought a youthful spark as Sylvia’s teenage daughter, while Louise Fairnie delivered a highly entertaining performance as the domineering, narrow‑minded Mayoress Matilda. Michael Harrison was excellent as Matilda’s sheltered son, Dean, whose ultimate rebellion injected a welcome burst of energy. Alistair Thomas delivered a great performance as the long‑suffering Sheriff Earl who eventually turned the tables on the Mayoress. The company delivered well-rehearsed routines and musical numbers with warm, blended harmonies. They were supported with smooth, efficient scene changes, including the striking use of pillars with live statues. Costumes were colourful throughout. Without a doubt, this was a vibrant and thoroughly enjoyable production, built around the well-known hits of Elvis Presley and leaving the audience truly ‘All Shook Up’ which everyone involved should be extremely proud of.

© NODA CIO. All rights reserved.