Abigail's Party

"Abigail’s Party," a 1977 stage and television play by Mike Leigh, centres on Beverly and Lawrence Moss hosting their neighbours Angela and Tony Cooper, along with Susan Lawson  whose 15yr old daughter, Abigail (who we never see) is holding a party. The evening begins awkwardly but unravels as alcohol flows, tensions rise between Beverly and Lawrence, and Susan grows increasingly anxious about her daughter's party. The night ends with an unexpected turn of events.

Due praise to Kevin Onley for his excellent set design and Darren Coleman for authentic props. The very orange wallpaper was so typically 1970’s era. There was a suite of leather furniture, a coffee table on which were various nibbles and a wonderful cabinet room divider holding books, records and player, numerous glasses and bottles of drink plus a dining room set of table and chairs. Costumes were all in period. 

The play takes place over one evening but the first half lacked pace as significant events occur closer to the end. Throughout, there are power dynamics between the couples with the final twist serving to highlight the fragility of polite society.

The cast gave strong performances. Keren Read, in the role of Beverly, played a character who was assertive, frequently refilling drinks for others, and exhibited both charm and persistence. Her portrayal contributed to a mix of humour and tension within the scenes, particularly through her dancing and side remarks. David Bacon as Lawrence gave a solid performance as Beverly’s hen-pecked husband – a bit uptight and clearly not as in control as he’d like to be. Heidi Phillpott’s portrayal of Angela was convincing, capturing her eagerness to fit in and obliviousness to Beverly’s flirtation with her husband. Her expressive reactions felt authentic together with her manic dancing! Andrew McMillan was good as Tony, using subtle expressions and a laid-back demeanour, yet showing assertiveness when needed, especially in defending his wife. His return from Susan’s house in a rumpled state hinted at unseen drama. Liz Gould was excellent as Susan, convincingly playing a nervous anxious mother preoccupied with her daughter Abigail’s whereabouts during the party.

Overall I did enjoy the play, so well done to Director Darren Coleman, his talented cast and great backstage and production teams.

© NODA CIO. All rights reserved.