A Monster Calls
Information
- Date
- 11th April 2026
- Society
- Stage 2 Youth Theatre Company
- Venue
- The Ron Barber Studio, Crescent Theatre.
- Type of Production
- Play
- Director
- Mark Shaun Walsh
- Assistant Director
- Bella Bailey & Vinnie Stoiber
Often when seeing a production I am not familiar with I try and do a certain amount of research before the performance on this occasion I am familiar with the piece, however I’m always intrigued to see how the creative team would bring their point of difference to the production as I prepared to embark on an emotional journey like no other in their stage production of “A Monster Calls”. Based on the extraordinary heart wrenching best selling novel by Patrick Ness.This being the final original idea of the late award -winning writer Siobhan Dowd.
Director Mark assisted by James, used their vision to great effect directing the amazingly talented cast who took to the stage to tell the stunning story of love, loss and courage anew.
The play presents the challenging narrative of Conor, who had to mature prematurely. The feelings of anguish, denial, and anger were effectively depicted by Elliot Perrett, making it likely that many in the audience could relate to his emotional performance. Conor experiences the same vivid dream each night following his mother's illness, as she undergoes a treatment regimen that appears ineffective. Mark Smith-Alonso’s performance as Conor’s Mum matched the maturity of an adult, displaying remarkable skill for someone so young. In particular, the opening scene where they tenderly held what seemed to be a baby wrapped in a shawl was striking. As the story progressed and various treatments failed, the sense of health and optimism faded for everyone. Demeanour and resilience gradually grew more somber and desperate while making arrangements for Conor’s future with his grandmother.
During one of Conor's recurring dreams, he awakens to find visitors at his window who claim origins from the trees—their arrival both unexpected and compelling. The visitors include Jacob Lenton, Bella Bailey, Lewis Grego, Clara Smith, and Hester Hawley. Each delivered an exceptionally captivating performance while narrating the three tales. They encourage Conor, as well as the audience, to face life's difficulties and explore the strength of imagination. Ultimately, however, the monsters demand the most profound thing from Conor: the truth.
It would be easy but boring for me to list each of the talented ensemble, whilst the majority all had their own parts to play as supporting character’s throughout as Teachers,Conor’s Grandma,The school bullies, nurse, king and Conor’s absent Dad .All were present in the very loud shocking dreams that inhabited poor Conor’s existence when he woke at night, each gave emotive performances in every dream sequence, including well-choreographed movement.
The crew and creative team consistently considered the minimal scenery, featuring a strikingly fantastical tree and providing just enough props to thoughtfully establish each scene.
A play covering such a range of challenging and thought-provoking themes—including bereavement, isolation, intense dream sequences, emotional distress, bullying, and violence—is not something I can say I enjoyed. However, I must acknowledge that the performance itself was remarkable, leaving the audience deeply affected, with several attendees visibly moved to tears.
© NODA CIO. All rights reserved.
Show Reports
A Monster Calls