9 to 5
Information
- Date
- 11th November 2022
- Society
- Hamilton Operatic & Dramatic Club
- Venue
- Concert Hall, Motherwell
- Type of Production
- Musical
- Director
- Liz Daniels
- Musical Director
- Elizabeth Pearson
- Choreographer
- Paula McGilvray
Well cast characters took us through the story of three female workers getting their own back on a lying, self centred, arrogant boss. This boss, Franklin Hart Jr played by Brian Toward certainly gave the ladies cause for revenge with his brash characterisation and breathtaking actions of bullying and discrimination. Emma Rodger capably took on the role of Office Administrator frustrated by the “hartless” treatment - obvious in her overlooked promotion, and brought great comedic effect to the mix up of the coffee and rat poison packets. Nicole Duthie as new start Judy nicely balanced the fragility of her broken marriage and office inexperience with a determination to try new horizons. Humiliation by Hart on her first day gathered her all the sympathy she needed. Clare McVicar embraced the lively Dolly Parton like character of Doralee dealing with the lascivious attentions of Hart as she bent down or climbed steps. All three were strong and talented singers shown especially in the wonderful drug induced scene where they sang and danced their numbers Dance of Death, Cowgirl’s Revenge and Potion Notion, each of which was dramatically supported by appropriately costumed chorus and dance. Roz the Secretary aka the office snoop - even into the toilets - played by Louise McSmith entertained with her earthy song where she revealed her infatuation for Hart. In a minor role Cathy Taylor excelled as the inebriated office worker. The male roles were not so meaty but Jamie McCaw as Joe the helpful accountant and Declan Gorman as Dwayne, Doralee’s supportive husband were ably carried out while David Black captured the larger than life money making owner who, recognising the talent the ladies had in improving the business, neatly tied up the story by side lining Hart in a job abroad. The music like the signature number 9 to 5 is stirring and with it and other songs, the chorus contributed to the liveliness of the show. In well staged movement redolent of 1970’s era the dancers sang and moved with conviction. Scene changes were smooth with backstage crew and cast sliding trucks and flats from office to head office to bedroom and back again. You could sense everyone’s determination and enthusiasm to deliver their best after a three year absence. The result was a thoroughly entertaining and enjoyable show. Congratulations to all.
© NODA CIO. All rights reserved.