Ugly Duck

Set against the backdrop of an art workshop, Ugly Duck by Deborah McAndrew offers a deeply human and often humorous take on self-perception, relationships, and unexpected connections. With meticulous attention to detail, the staging immediately immerses the audience in the creative yet chaotic environment of the workshop, effectively setting the scene for the unfolding drama.

From the very start, the set design contributes to the authenticity of the space, with an array of strewn pictures reinforcing the artistic atmosphere. The lighting design plays a crucial role in maintaining the mood, shifting in intensity and colour to reflect time transitions seamlessly. Notably, during the scenes in which Dennis and Mark find themselves in the workshop late at night, the lighting is subdued yet functional, maintaining the realism while ensuring visibility.

Ellaika Villegas brings an engaging presence to the role of Kat, the artist who, despite the turmoil in her life, is finally seeking something that captivates her. Ellaika Villegas portrays Kat with an assertiveness that complements her character’s internal struggle, effectively conveying her need for purpose. Her interactions with other characters feel natural and well-paced, allowing the dynamics of each relationship to unfold convincingly. There were some naturalist moments between her and Drina, played by Linda Richardson, her mother. Linda played Drina with a motherly personality, she held respect for Kat and her career choices, with well executed dialogue, body language and gestures, delivering quick witty and well-timed comments towards her husband, Mark.

Dennis, played by Chris Allies, is introduced as an ordinary middle-aged man caught in the throes of unemployment and personal decline. His everyday clothing reinforces his grounded yet vulnerable character, emphasising his struggles. His decision to answer an advertisement for a life model unknowingly thrusts him into an uncharted journey of self-awareness, as he discovers that the role requires him to pose nude. Chris Allies masterfully brings Dennis to life, capturing the character’s initial discomfort and eventual introspection with sincerity. His ability to balance comedic timing with emotional depth is commendable, especially in moments such as his entrance wearing nothing but an eccentric dressing gown—an instance of well-executed humour that resonates with the audience.

One of the most compelling relationships in the play is the one between Dennis and Mark, the father figure played by Peter Munro. Their interactions transition from socially awkward encounters to more profound discussions, particularly in the late-night scene within the workshop. Munro delivers an emotive performance, subtly depicting Mark’s apprehension upon discovering his daughter alone in the space with a middle-aged stranger, followed by a gradual shift in understanding as he and Dennis share a surprisingly intimate conversation about life’s uncertainties.

Although the production succeeds in delivering its narrative with authenticity and heart, there were occasional moments where dialogue or lines were dropped. Given the small cast and expansive performance space, consistent vocal projection was crucial, and at times, fluctuations in delivery briefly disrupted the otherwise smooth execution.

Overall, Ugly Duck is a touching and refreshingly honest piece, inviting audiences to reflect on themes of vulnerability, purpose, and human connection. With strong performances, effective staging, and well-calibrated humour, McAndrew’s play succeeds in offering both laughter and emotional depth in equal measure. Thank you once again MADS for your warm welcome.

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