The Hunchback of Notre Dame

Based on the Disney animated movie with the addition of nine songs the musical “The Hunchback of Notre Dame” is a sadder and darker portrayal of the story which is more in tune with the Victor Hugo novel about the bell ringer Quasimodo and seems more grand opera than Disney. The story has a message still relevant today in respect of how we treat those who we consider different and asks us “what makes a monster and what makes a man”.

From entering the theatre you were immediately immersed in the atmosphere of Notre Dame, a stunning set from Scenic Projects Suffolk complete with rose window, bells and trap door, which was beautifully lit and the smell of incense filling the air.  This set the tone for the theatrical and vocal tour de force we were about to experience. Throughout the show the costumes, set and props were superb, lighting was atmospheric and complimented the production and scene changes were swift.

The ensemble play a large part in the production and without doubt this was one of the strongest ensemble performances I have witnessed. From the opening “Olim” throughout the music was brilliantly performed, singing and orchestra equally outstanding. As always, Kathleen Knox provided splendid dancers and choreography to support the production, “Topsy Turvey”, “The Rhythm of the Tambourine” and “The Court of Miracles” were a perfect showcase for their talent.  All of the many supporting roles were well portrayed, I particularly enjoyed the performance of Stephen Fay as Saint Aphrodisius, Christopher Carr as King Louis XI and the story was beautifully narrated by Deborah Wilson, such clear diction ; there were no weak links in this production .

The gargoyles of the cathedral became the inner dialogue for Quasimodo, almost Greek Chorus like, very different to the comedy gargoyles of the animated movie. This was such a strong group of performers with excellent vocal ability perfectly played by Christopher Carr, Izzy Chazot, Ellen Cupples, Stephen Fay, Becca Hassell, Jade Henderson, David Wallace and Lewis Wilkinson.

Michael Taphouse was the perfect choice for the role of Clopin Trouillefou, the leader of the Gypsies, he gave energy, great movement and the sense of mystery this character required.  As Esmeralda Shireen Gale had all of the necessary energy and emotion, she looked beautiful and gave an excellent presentation of the character. Graeme Walton can always be relied upon to give a secure performance with strong vocals and as Phoebus this was no different, his duet “Someday” with Esmeralda was particular good.

Leading the production were Stephen Berry as Quasimodo and Anthony Smith as Frollo and what strength they gave to this production. Stephen’s characterisation made Quasimodo vulnerable, endearing, caring and also strong. Unfortunately Stephen wasn’t able to sing the huge arias on the Saturday performances which was such a shame as his vocals are excellent, at those two shows the numbers were sung beautifully by Lewis Wilkinson from side of stage, both performers deserved every bit of the ovation they received. Anthony Smith excelled as the complex, flawed and tormented Frollo. His performance was immaculate and powerful and the delivery of “Hellfire” a chilling highlight of the show.

Congratulations to Fred, Malcolm, Kathleen and their support team for rising to and delivering on the challenge of the production, it was absolutely first class.

© NODA CIO. All rights reserved.