The Edge of Darkness

Although wonderfully warm, it didn’t make for a huge audience for the afternoon, however those attending enjoyed the tension of the production which was full of intrigue from the very beginning. 

The Cranwell’s are bringing home their lost daughter Emma, having located her in a Dublin convent after her disappearance a few years previously. Is she the real Emma Cranwell, daughter of Max and Laura and are they all as they seem?  She finds her memory shot and much she doesn’t recognise, although is familiar with certain Russian words, but why an aversion to a service bell, a portrait on the wall and knives? A chilling play, with action taking place in the Cranwell’s sitting room in a house near the edge of the cliffs, in the early 1900’s during autumn, that was thoroughly gripping throughout.  

F of H was well organised, - ticket desk, membership renewals and raffle plus photo corner and programme sales (this time showing the NODA logo) and depicting a cliff edge artwork created by Charlie Miller.  Refreshments for the interval genially served by Theresa Hall and her band of helpers. Another very fine set constructed by Trevor Lewing assisted by his team.  A superb fully papered room, good doors, a wooden staircase, and skirting boards.  Gas lights that were well ‘ignited’ furniture and dressings set with a great eye of attention by Jenny Turner. Original portrait of Uncle Charles a key focal point of the mystery was painted by Carol Ardley.  Food props particularly good – realistic trays – plenty in the decanters for there was quite a bit of sherry taking! Atmospheric music, sound effects well timed and lighting effective throughout, with Trevor Lewing in charge back stage.

Max was played by Steve Hill - a little tentative at times, and emotional wife Laura, Kerry Gentleman are both initially convincing parents although there are hints all’s not quite right, whilst daughter Emma, not an easy part playing in a state of confusion, was ably tackled by Alice Tigwell. The costumes supervised by Sandi Mouzer were particularly well assembled for the era, very good blouses, and long skirts for the ladies, complemented by sash belts, perfect colour contrasts and noticeably good footwear. Smart day/dress coats and well thought out finishing touches – cravats etc. I’m not sure that Hardy would appear in the first instance without some sort of necktie? Excellent hair dressing.  

Vicki Veness taking the part of Housemaid Penny gave a most convincing interpretation both in appearance and humour, keeping her accent constant throughout, mispronouncing words and performing her numerous household duties with skill. Hardy – played by Tom Miller intrigues us appearing initially as the new butler, whose real identity is not revealed until almost the conclusion. Penny and he are particularly well-matched especially with their timing as the domestic pair. The arrival of a stranger, menacing Livago was performed credibly by Peter Spencer, who claimed to be Emma’s husband! Charlie did you proud in her debut direction and as she stated ... she was nervous but had enjoyed every minute ... the result was rewarding and hopefully this is the start of many more successes for her.      

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