The Addams Family The Musical Comedy
Information
- Date
- 30th April 2025
- Society
- The East Cheshire Musical Theatre Company
- Venue
- Forum Theatre, Romiley
- Type of Production
- Musical
- Director
- Heidi Fletcher
- Musical Director
- Ed Nurse
- Choreographer
- Sally Hilliard
- Producer
- Heidi Fletcher
The Addams Family: The Musical Comedy is a delightfully dark and humorous production that brings the eccentric Addams family to life in spectacular fashion. The story explores the complications that arise when their macabre world collides with the conventional, suburban lives of Wednesday Addams' love interest and his unsuspecting family. With catchy musical numbers, quirky characters, and plenty of theatrical surprises, the show celebrates themes of love, acceptance, and embracing individuality—all wrapped in the Addams family's signature eerie charm.
East Cheshire Musical Theatre Company staged this thrilling musical at the Forum Theatre in Romiley, delivering a truly captivating and polished performance. From the moment we arrived, the front-of-house officials welcomed us warmly, setting the tone for a fantastic evening. As we took our seats, the atmospheric lighting and open set design created an air of mystery and tension, immersing the audience in the world of the Addams family before the show even began. Gothic-style props and eerie lighting effects perfectly established the tone, heightening anticipation for the story to unfold.
A live orchestra, under the masterful direction of Ed Nurse, added remarkable depth, precision, and dynamism to the production. His ability to balance the power of the score with the performers’ dialogue ensured a sharp and immersive sound throughout the show. The orchestra’s precise timing within musical numbers and transitions showcased exceptional musicality and careful preparation, allowing the energy and mood shifts within the production to land effectively.
From the opening number, "When You’re an Addams," to the grand finale, the entire cast delivered a high-energy, polished performance with impressive characterisation and stage presence. Sally Hilliard’s choreography perfectly complemented the production, incorporating fluid transitions, creative formations, and seamless entrances and exits that enhanced storytelling and momentum. Meanwhile, producer and director Heidi Fletcher demonstrated outstanding casting choices—each performer embodied their character with distinctive mannerisms, strong vocal delivery, and sharp comedic timing.
Jon Gardner brought boundless charisma, wit, and undeniable charm to the role of Gomez Addams. His comedic timing and heartfelt delivery, especially in moments of romantic devotion to Morticia, made him a standout presence on stage. His musical number "Trapped" was brilliantly executed, as he hilariously lamented being caught between his love for Morticia and his promise to Wednesday. Kate Longden’s portrayal of Morticia was equally captivating, embodying elegance, mystery, and effortless control. Her stunning rendition of "Just Around the Corner" was both humorous and theatrical, using expressive gestures and refined movement to convey her dark sense of humour and delight in the inevitability of death.
Isabelle Brunton (Wednesday Addams) and Ross Provart (Pugsley Addams) played off each other brilliantly, balancing sibling rivalry with heartfelt emotion. Ross effectively captured Pugsley’s insecurities, portraying his fears of losing Wednesday's attention as she grows closer to Lucas Beineke (played by George Rolfe). George effectively navigated his role as the kind-hearted, slightly bewildered young man, trying to prove his love for Wednesday and adapt to her unconventional family. Both Isabelle and Ross commanded the stage with confidence and compelling presence, demonstrating strong vocal and acting abilities.
The trio of Ivor Farley (Fester), Kerry Ogden (Grandma), and Mark Watkins (Lurch) provided some of the night’s best comedic moments. Farley’s sentimental yet hilarious portrayal of Fester, particularly in his heartfelt devotion to the moon, had the audience laughing one moment and touched the next. Ogden’s sharp-witted interpretation of Grandma, packed with quirky energy and excellent comedic timing, kept the audience engaged, while Watkins' towering, silent presence as Lurch made every one of his moments unexpected and entertaining.
The Beineke family, Tina Spiers (Alice) and Jonathan Cresswell (Mal), brilliantly highlighted the contrast between the Addams family’s eccentricity and suburban conventionality. Their journey of self-discovery and rekindled love unfolded with humour and heartfelt sincerity, making their interactions with the Addams family both comedic and touching.
East Cheshire Musical Theatre Company executed this production flawlessly, ensuring sharp comedic timing, high-energy staging, and strong vocal performances throughout the show. The lighting designs further enhanced the eerie atmosphere, adding layers of theatricality and depth to each scene.
Overall, this production was a masterfully crafted piece of musical theatre, offering an immersive, witty, and polished performance that truly honoured the spirit of The Addams Family. Congratulations to East Cheshire Musical Theatre Company on an outstanding show—thank you for such a warm welcome, and I look forward to seeing more of your work in the future.
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