Sweeney Todd

Anybody taking on any musical by Sondheim needs to be very bold indeed but in the hands of director Keith Neville this proved to be a good choice. The opening act was commendable with the majority of the large cast taking part in the haunting rendition of ‘The Ballad of Sweeney Todd’

Anthony Eglinton epitomised the barbaric barber, Sweeney Todd, who takes his killing revenge on those people who imprisoned him and then with the aid of Mrs Lovett, played by Cathryn Short, stuffs them into pies. Anthony was right for this part. His voice and acting ability are never wanting, a stunning portrayal all round. It was clear that Cathryn (Mrs Lovett) was going to be the star of the show. From the offset, representation of the pie shop owner was excellent, utilising wit and emotion along with immaculate singing and acting.

The introduction of Johanna, (Melissa Lowles) The Beadle (James Osborne) and Judge Turpin (Keith Harper), added an undulating storyline which added intrigue and stability. The love interest came from Johanna and Anthony (Alex Dunmore) who were able to demonstrate their singing talents.

Sometimes a small character part in a production can leave you remembering it. Claire Tilley played the Beggar Woman very well indeed. I'm sure a lot of the audience will feel the same. David Jones, as Pirelli entered into his character along with Tobias, who was played admirably by Kenny Wyton. 

The musical score, by Steven Sondheim, a challenging task by any means, was executed by a competent orchestra under the direction of Colin Palmer.  Chorus numbers, although few and very different from your feel good factor musical were sung superbly – must have taken a lot of rehearsal!

The ingenious sets, props, lighting and sound were able to turn Sweeney Todd’s dark, murderous cravings into acts of comedy and left the audience laughing as the deceased disappeared before our very eyes through hilarious means.

The story line is one that you do not expect to be an engaging lively musical and you certainly don’t leave the theatre humming any of the tunes but Keith and his cast were able to draw us (well me anyway) into the plot. Well done to all concerned for pulling off this diverse musical with style.

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