Sweeney Todd

The multi-level set of scaffolding and platforms, against the brick wall of the Playhouse gave an ideal setting for this production.  It was very atmospheric with a brilliant lighting design from Matt Cross for the acting areas and for specific characters. Setting it in the post First War period, added to the whole feel of the piece and brought out the drama.

The monumental Sondheim score was performed to backing tracks due to the lack of space for an orchestra. Musical Director, Acer Smith, chose a powerful vocal cast, all perfectly balanced, the ensemble (13) was notated, in the programme, by vocal range as they played out the various characters.  Their movement and placing on stage were very precise and effective, giving background and mood to the many scenes.

In the title role of Sweeney Todd, Lewis Aves has a very strong presence, his physicality, that rich and powerful voice gave power to the drama (and I remember him from Norfolk Youth a long time ago). To balance vocally, to offer the humour, the light and shade, to match the drama; Rebecca Jillings as Mrs. Lovett had everything required in this marvelous female role from laughs to strong arms. Definitely a great match of performances to carry this show.

As the young lovers Nic Gordon as Anthony Hope and Eloise Cubbin as Johanna were an antidote to the power of Sweeney and Lovett, with excellent and romantic vocals, a good pair. Gabriel Jones as Tobias brought out the feelings especially in ‘Nothing’s Going To Harm You’ and in his relationship with Mrs. Lovett.   Leo Oakley as The Beadle had the wide range of notes needed and the right attitude with the Judge played by Matthew Vanston.  Matthew showed a powerful character and the villain of the piece in his wicked deviousness.  They both had excellent voices, which were right for their characters.    Christopher Davidson had all the timing in his portrayal of Pirelli, a joyous character study, and with voice to stun.   Throughout all the ensemble scenes, the distress and presence from the Beggar Woman (Elle Overvoorde) was strong in her reminder of past wrongs.

This was an evening of stunning vocals with excellent drama, certainly an experience to remember for the full house audience.

Thank you for making me feel welcome.

© NODA CIO. All rights reserved.

© NODA CIO. All rights reserved.