SWEENEY TODD

From the outset, this was a superlative production on all levels.  The opening with the organ playing created an atmosphere that lasted throughout the production, with the static set of scaffolding creating levels that the cast used to its advantage, making a seamless production. 

The Director was spoiled with an experienced cast, several of whom I was seeing perform for the first time, and I was impressed with the high standard attained throughout, by both principals and ensemble.

Musically, for me, a whole new understanding of a very difficult Sondheim piece, which I found intriguing and enthralling – the orchestra gave such a rich sound and atmosphere to the production, with sound balance between stage and pit extremely good, which I know is a difficult achievement in the EMC.

Lighting again was atmospheric, but always ensured we could see the cast, and appreciate their expressions, which enhanced the whole piece.  Costumes were mostly very good, and looked crisp where needed and well-worn for the lowlier characters, a nice balance, although I felt the Birdseller’s top was perhaps a little too bright in comparison with the other costumes.

Technically good overall, with the management of the chair and the disappearance of the victims well-managed, which created nervous laughter and appreciation from the audience.

The cast gave such in-depth performances.  The bleakness and angst of Sweeney Todd, beautifully sung and portrayed by Daniel Goode, I was particularly taken by the intensity of the look in his eyes.  This was matched by the strikingly expressive and humorous performance of Tracey Walker, as the redoubtable and slyly manipulative Mrs Lovett, again beautifully sung.  A darkly impressive pairing which I loved.

Anthony was well played by Colby Gregory, the bright young sailor character suited him, vocally assured, and contrasting well with the darkness of the other characters.  Matched by the lightness of touch of Alyson Morrell as Johanna, sung with charm, and those high notes…..just beautiful.  Again a lovely pairing who were well-matched vocally too.

Judge Turpin is a ruthless character, and I thought Matt Hughes-Short gave him the edge required, without being too over the top, creating an offensive character, with some humorous undertones.  His henchman Beadle Bamford, as played by Aaron Sumner showed the right amount of deference to his master, whilst showing what a creepy man he was.  

Katy Jane Meehan sang the Beggar Woman with intent,  and with a good level of derangement, which made her believable and a figure which we could feel pity for.  A lovely part, well played.

David Kral gave us a lighthearted and striking Pirelli, such a fun character who lightened the atmosphere, I liked the contrast he brought to the production – very well done.  His helper Tobias, who ended up serving Mrs Lovett, gave Archie Agnew a chance to shine, showing good vocal skills, and a lightness of touch as a young person amid the more heavyweight characters, I liked his portrayal and relationships.

Sharon Galatis was a forthright Fogg, very believable, with her sickening attitude towards the unfortunates in her care, whilst Louise Thonger created a good character as the Birdseller, selling her questionable wares, also well done.

The ensemble again showed that HMTC can be rightly proud of their ensemble work, both in acting and vocal skills, everyone gave their all.

My thanks to HMTC for their hospitality, always a pleasure to attend your productions, and in this case one which made me feel I’d seen something special.

Nova Horley

NODA Representative - NODA East District 3

 

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