South Pacific

It makes a pleasant change to see one of the more traditional musicals: Rodgers and Hammerstein’s classic, South Pacific. The show premiered on Broadway in 1949 and was an immediate success, with many of its songs quickly becoming standards. It was turned into a film in 1958, which seems to be remembered mostly for its strange lighting effects. The story is set on two islands in the South Pacific at the end of World War II and sent quite a strong, progressive message on racism for its time.

Director Ben Lister has somehow managed to assemble a huge cast who all gave the show tremendous vitality and pizazz. A great set, expertly managed by SM Neil Brant and his crew, colourful costumes - thanks to Christine Duffin and Heather Brigden - and excellent, moody lighting (courtesy of Ferneham Hall) completed the vibrant picture.

The standard of singing by all members of the cast was well up to the excellent standard I have come to expect from this society. Choreography (Kim Majczak) was inventive, making the most of the wide stage, and well executed. Everyone looked like they were having a great time and this really does come across to the audience. It was really good to see some members of the FMS Youth Theatre taking part, showing great confidence and more than holding their own amongst the seniors.

There were outstanding performances from the principals too. Clare Plumridge as Nellie Forbush, a sparky optimist, and Jonathan Redwood as Emile de Becque, a man of stature and dignity, were very well matched. Both portrayed their characters well, evoking sympathy from the audience and singing beautifully together. I could not imagine a better Bloody Mary than Marie Ridley – every inch the shrewd Tokinese souvenir seller and manipulative mother, trying to marry off her daughter – a touching and powerful singer too.

Sean Ridley was spot on with his portrayal of Luther Billis, the enterprising money maker, friend to everyone, constantly outsmarted by Bloody Mary. He has great stage presence and gave his character such life. Lee Backhouse and Charlotte Brombley made an ideal pair of innocent young lovers (Lt. Joseph Cable and Liat, Mary’s daughter) – “Younger Than Springtime” was performed so touchingly and real sadness was evoked by the news of Cable’s death.

The eleven-piece orchestra under Dennis Brombley’s assured baton produced a great sound. Sadly, clear sound is becoming something of a rarity these days, even in professional theatre, but thanks to the pin-sharp sound system (Ferneham Hall again), the band never overwhelmed the singers and every word was heard.

South Pacific is a particularly appropriate choice this year for FMS, as it was the first show they performed at Ferneham Hall in 1986 and is the last musical they will perform here before it closes for a major revamp. It was an excellent showcase for the huge amount of talent this group has amongst its members, both on stage and behind the scenes.

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