Sister Act

Sunderland Theatre Company’s recent production of Sister Act was an exuberant and engaging showcase of talent, energy, and professionalism from an incredible production team. Although always delivering quality performances, this trio really seemed to gel upping STCo yet again. The evening was a delightful celebration of musical theatre, delivered with passion and precision by the entire cast and crew. Brian Waldock-Leach is an exceptional director in his own right but supported by James Pennell-Tutill and Kate Walker – a really exceptional trio right there.

Brian’s vision for productions really lifts them from the page onto stage with a unique flair. The floating scenery from Brightstar Light and Sound really visually worked incredibly well and made for seamless transitions in a difficult small space. The candles made a beautiful extra touch of authenticity. The gun shot scene was done very cleverly, which rarely happens, and I loved the romance blossoming with Eddie and Deloris, rather than a surprise kiss just being planted on her which is how it is usually directed. Consent is everything! The reveals using the moving set on the chase really gave it a different dynamic.

James’ work on the vocals was extremely apparent, the harmonies came through crisp and clear, and everyone’s vocal health seemed so much stronger! Kate, I am in awe of the work you have done. The choreography was slick, well-rehearsed, precise shaping on stage, and very much appropriate for the production, making the most of space and abilities. The additional dancers adding into the opening changed the premise. I loved the mic work, the arm-ography in “Sunday Morning Fever” and “Lady in the Long Black dress” they stood out for me, and original choreography throughout, not a hint of a mimic or influence from the original stage production, Brilliant! Superb work all three of you.

Rebecca Crackett as Deloris Van Cartier lead the cast with undeniable charisma, strength, and a unique flair. She was mesmerising from that first dramatic entrance. Rebecca brought the role of Deloris to life with a vibrant and commanding stage presence. Her portrayal effortlessly blended sass, humour, and heartfelt emotion, capturing the essence of the dynamic lounge singer turned unlikely nun. Her vocal performance was outstanding, delivering powerhouse numbers like Raise Your Voice and Fabulous Baby with both technical skill and an infectious energy that captivated the audience from start to finish. The softer and controlled “Sister Act reprise” however was something else. A little girl sat behind me uttered “wow” when it ended, echoing the sentiment of all of us in the audience and finished with an incredible piece of lighting art from Brightstar, the strong precise silhouette which just finished it off *chefs kiss*

Jessica Summers as Sister Mary Robert, gave an exceptional performance as the shy quiet postulant, beautiful performance, and those vocals! I do not think I have heard another Mary Robert hit those top notes in Raise Your Voice” and “Life I’ve never Led” with such confidence and belt! Well done for finding that confidence to get out and you absolutely smashed it, there is very few who take on the role of Mary Robert who can manage that belt. Hope to see a lot more of you in future.

Mathew Clarke as Curtis Jackson delivered a chilling and compelling performance as Curtis, the smooth-talking gangster whose pursuit of Deloris sets the story in motion. His portrayal was infused with menace and charm, making Curtis a thoroughly believable and memorable antagonist. His rendition of When I Find My Baby was particularly notable, blending dark humour with slick vocals and an imposing stage presence. Really pushed yourself with this character Mat – well done!

Antoinette Brindley as Mother Superior, an excellent performance again, giving vibes of Maggie Smith with the clipped English accent and imposing exterior. Again vocally, the work James has made really showed with “Haven’t got a Prayer” being powerful and yet vulnerable, no easy feat. Her vocal strength was excellent, well controlled and delivered with real impact.

Michael Brabbs as Eddie Souther delivers consistently. An excellent performer in every way. Michael is consistently excellent in all he does, but the little touches made to Eddie’s character I really did love. His pep talks in woo-ing Deloris, the little added touches bringing a softness to Eddies character and the blossoming of Eddie’s confidence, amazing work.

The trio of gangsters, with TJ being played by Kristan Bailey, Joey by Sean Barrett and Pablo by Reece Sohdi were extremely strong. Sometimes I think in Sister Act productions, the gangsters can be forgotten somewhat as the main focus is on the nuns ensemble.  Not here! These three again showed incredible vocal ability (that falsetto was excellent Reece) and their numbers were polished to precision in all ways. Well done!

Monsignor O'Hara played by Stephen Fay, a jolly Irish character was a joy and brought light relief to the performance, really well done.

The principal nuns also went from strength to strength with some very impressive performances. Sister Mary Patrick was played by Samantha Kennedy, who’s bubbly personality, vocal and excellent acting ability brought the friendly caring nun to life superbly, Rebecca Simmons as the grumpy Sister Mary Lazarus was brilliant with the rap being delivered superbly, Sister Mary Martin-of-Tours by Demilee Turnbull in her own little world and Jordan Grace playing Sister Mary Theresa the grumpy comical nun with brilliance, amazing work all of you.

The ensemble nuns were rehearsed to perfection, bringing enthusiasm, joy, and well-rehearsed performances to the shows which the audiences loved and the standing ovation spoke for itself. These reports are supposed to be balanced and the only feedback I’d give would be to think of the wider presentation of the nuns on stage, I spotted a bellybutton bar, jewellery, eyelash extensions, make up and jewellery which I’d not expect nuns to be wearing.

The lighting design played a pivotal role in enhancing the mood and atmosphere of the production. From the shimmering nightclub scenes to the warm, ethereal glow of the convent, the lighting transitions were seamless and effectively underscored the emotional arcs of the show. Notable moments included the dramatic silhouette at the end of Sister Act and the creative use of coloured lighting to set the tone for group sequences.

Praise must also be given to the sound from East Durham audio for their impeccable work throughout. The balance between vocals and tracks was maintained with precision, ensuring that the musical numbers were clear and impactful.

I did notice some script changes which I enjoyed – Monsignor’s reference to the Firewater lyric I believe? and the outdated gender references being omitted which personally I thought brought better inclusivity to the script.

Sunderland Theatre Company’s Sister Act was a triumphant production that brought joy, laughter, and energy to all who attended. The combination of exceptional performances from the cast, alongside brilliant technical achievements in production, lighting, and sound, made for an unforgettable evening. It is evident that meticulous attention to detail and a deep love for theatre were at the heart of this production.

Congratulations to all involved for delivering a show that was both entertaining and inspiring, and a credit to the Sunderland Theatre Company. I am very much looking forward to “We Will Rock You” in November!

 

© NODA CIO. All rights reserved.