Sister Act

Spennymoor Stage and Song’s production of Sister Act was a triumph, showcasing the very best of community theatre with a delightful combination of enthusiasm, professionalism, and sheer talent. The audience were swept into the heart of this uplifting story, carried by the passion and precision of every member involved. From the moment you arrive, Spennymoor do all they can to immerse you in their production, with the front of house lovely warm welcomes all in alter garb and the ticket desk set up as an altar.

The production was expertly directed, demonstrating a clear vision that brought the narrative to life with energy and flair. Liam Etherington has done marvels taking the helm as director for the group, but he really excelled himself here, bringing new life from page to the stage which is a serious skill. I have personally directed Sister Act twice myself, so it is one very familiar to me, but he still managed to create a unique performance despite taking the stage himself as “Eddie Souther.” The transitions between scenes were seamless, allowing the momentum to flow effortlessly from one moment to the next and Liam’s attention to detail was evident in every aspect, from the dynamic staging to the nuanced character interactions giving this production a new life.

The opening number, “Take me to Heaven” by Deloris, Tina and Michelle was a real powerhouse of vocals and excellent choreography with clear shaping and style. I have never seen it turned into a full dance number in previous productions, and I loved it!

The casting was impeccable, with each performer perfectly suited to their role. Heather Whitfield shone in the demanding role of Delores Van Cartier, delivering an electrifying performance that captured the heart and soul of the character. Her vocal prowess, comedic timing, and emotional depth left an indelible impression, making her portrayal both unforgettable and deeply moving. Really well-done Heather, you excelled in the role.

The supporting cast was equally impressive, with notable performances from the ensemble of nuns whose harmonious voices and lively antics brought the convent scenes to life. Each cast member contributed their unique energy, creating a cohesive and compelling group dynamic that added layers of personality to the production. Amazing work by Musical Director Jill Jackson gave beautiful clear harmonies from the talented ensemble. Musically, the show was a delight, with energetic performances that showcased the vocal talents of the cast. The musical numbers were delivered with great precision and enthusiasm, capturing the infectious spirit of the score. The harmonies were tight, and the accompaniment was well-balanced, allowing the songs to shine without overpowering the performers.

The costuming was excellent again in the capable hands of Sue Marley and Susan Rogers, perfectly encapsulating the characters. The attention to detail in the costumes enhanced the authenticity and charm of the production, while the set design complemented the visual storytelling beautifully.

A large ensemble complimented the fantastic cast with Ann-Marie Clayton taking the role of Mother Superior for the third time I believe, and I will never tire of seeing her in that role. Her vocal ability and stage presence are superb with impeccable delivery. Jayne Mclean as Mary Robert was just utterly perfect and “Life I never led” was very moving and sincere, Robyn Watson was the most hilarious rapping Sister Mary Lazarus and Hannah Crosby as Sister Mary Patrick brought the house down with her antics as the infectiously bubbly nun, we all love. Those roles really brought out the best in those three and they were the perfect casting. David Galloway was a superbly camp comedic Monsignor O’Hara, probably one of the best I have seen in that role and his accent never faulted. The altar boys, Samuel Angstmann and Jonah Ranyard were suitably mischievous and hilarious complimenting Monsignor and Mother Superior and keeping the audience in stitches. Jade Carney and Megs Defty in the roles of Michelle and Tina were superb, bringing suitable glamour and vocal prowess. 

Bringing in the male supporting cast with the versatile Ian Patterson as Curtis Jackson who for such a lovely guy was able to bring Curtis’ menace very well delivering his role with a suitable ominous tone, with Dan Riches as Pablo with some fabulous, accented Spanish and that falsetto!!  Go Dan! The multi-talented Rhys Bye as TJ with energy hilarity and pzazz, Dean Ranyard as Joey delivering well; the three gangsters who supported very well and delivered their numbers very well. “Lady in the Long Black Dress” never sounded as good. Kieran Watson, despite being credited as crew cannot be forgotten as that fabulous drag queen – any excuse Kieran!

The energy of the production was infectious, leaving the audience thoroughly entertained and moved by the story’s message of hope, resilience, and unity. It felt like a joyous celebration and the audiences absolutely loved it; the standing ovation spoke for itself.

Lighting was excellent from Brightstar, really well-designed complimenting the production and Duncan Baxter of East Durham Audio levelling the sound and complimenting the cast beautifully.

Spennymoor Stage and Song’s production of Sister Act was a dazzling display of theatrical excellence, combining vibrant energy, outstanding performances, and meticulous attention to detail. Heather Whitfield’s portrayal of Delores Van Cartier was a particular highlight, cementing her place as a standout performer in this exceptional show. The Sister Act melody to conclude was just the icing on the cake. Bravo to all involved for delivering a production that was not only entertaining but also a true testament to the power of community theatre.

 

 

© NODA CIO. All rights reserved.