Saturday Night Fever

From the very first notes played by the stunning orchestra, conducted by Musical Director Owen McColgan, we, the audience, knew that something very special was about to happen. The combination of a cast clearly dedicated to their stagecraft, together with the praiseworthy orchestra, rocked the Central Hall Theatre during this matinee performance. It’s hard to imagine that the forthcoming final performance could be any better. However, I wouldn’t be surprised if the actual roof gets lifted at the next and last evening performance!

Jamie Knights danced the role of slim-hipped Tony Manero to perfection—a stunning leading man. Sure-footed and confident throughout, he was convincing as the leader of his “gang,” while skillfully shifting to vulnerable and subordinate in scenes with his family. A safe pair of hands for the lead role. Stephanie Mangano, played by Maria Dorey, was performed with ease—Maria is a beautiful dancer with a voice to match, bringing so much finesse to the role. Pauline (Rachael Champ) was well paired with Joel Blundell’s Bobby—what a voice Joel has! Both possessed voices and acting ability to die for. Joel’s rendition of “Tragedy” was exceptional. Both were so immersed in the show that I had forgotten theirs was a sad tale. Well played—impactful amidst all the colourful froth and fun.

Anette (Rhea Baker) delivered “If I Can’t Have You” with such emotion it brought a lump to my throat. Well done, Rhea! Tony’s parents and siblings—Flo (Tonia Plowman), Frank Manero (Scott Highway), and Frank Jr. (James Stacy)—formed a dynamic and entertaining family. They showcased the full range of acting abilities and pulled off their accents brilliantly. Candy (Carly Harwood) and Stu Grace-Hicks as Monty—what can I say? Their superlative voices filled the theatre with power! Joey (Conor Whittaker), Double J (Aiden Ashton), and Gus (Joe Warrilow) bounced off each other beautifully, delivering both comedy and drama—excellent casting here. Conor and Cole Gillespie’s dancing in “Open Sesame” was flawless.

All the choreography (by Emma Constantine) was tight and evocative of the original movie. The cast was clearly well-practised, showing no hesitation throughout the performance. A special thanks to Isabel and Milly for stepping in at the last minute as specialty dancers in this scene. Cameo roles played by Connie (Amelia O’Shea), Mr. Fusco (Lee Round), and Pete (Gordon Harris) added depth. Special mention goes to Nicole Baker, who had the toughest task of all—opening the show. Well done, Nicole, supported wonderfully by the ensemble of Ellie, Judy, Harrison, Harry, Cathy, Aimee, Charley, Zoe, Jayne, Jason, Megan, and Lily-Rose. In fact, everyone—without exception—was fully immersed in their roles. It was evident that the production team, led by Director Adam Waters, had meticulously planned, motivated, and guided the cast to success. The crew delivered a skilled, glowing performance. Once again, the choreography was tight, evocative of the original movie, and confidently executed.

GDS, your programme was gorgeous, informative, and expertly designed. Did I enjoy my afternoon? You’re damn right I did! Stunning… Congratulations, GDS!

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