Ruddigore

 It’s always a good sign when the public are wishing they could join in, and the audience of ‘Ruddigore’ were saying exactly that, this week.  Enthusiasm abounded, with compliments about the band, the set, the singing, the costume, and the fun of it – no surprises here, with Sarah Vandervelde and Ieuan Davies at the helm, bringing a lightness of touch and a cheeky humour to this quirky and lively production. 

The freshness of the singing was delightful, buoyed up by an excellent orchestra and enthusiastic chorus.  The duet between Rose and Robin ‘I Know a Youth’ was sweet; the story-telling was strong in Hannah’s song of the Legend of Sir Rupert; Mad Margaret’s ‘Only Roses’ aria of unrequited love was truly touching; Robin and Rose sang well together, voices sweet and surprisingly youthful; the duet between Margaret and Sir Despard was full of character; Hannah and Sir Roderic made a fine couple in their duet ‘There grew a little flower’; sailor Richard was appropriately limber and swaggering in the hornpipe song and the connection between Robin and the old retainer, Adam, was nicely demonstrated in their duet .  Unlike some other companies, characterization was evident in the acting and dancing as well as in the music, with Young Dan Goodheart an excellent addition to the household. 

Although it is one hundred and thirty years since ‘Ruddigore’ first hit the stage, this was a witty show for a modern audience: the rustic zimmer frames were a surprise, and the floral zimmer frame arch for the wedding scene was hilarious.  The back-story of the cursing of the Murgatroyds was graphically illustrated in a dumb-show which accompanied the Overture: who could fail to be impressed by the cruel Sir Rupert, the desperate witches at the stake, with their devilish attendants, lit by leaping flames and swirling smoke.  Visuals were strong throughout the show, with lovely choreography, a towering set, attractive costumes, effective make-up and interesting lighting: the ghostly gallery was particularly spooky with its eerie haze and fingers of light.  The Maypole and the image of Merrie England were charming and apt. 

This production exudes a warmth which suggests camaraderie and co-operation in the rehearsal room, resulting in a warm and welcoming show.  Congratulations, Christchurch, on a most enjoyable and entertaining production.

With all good wishes,

Sylvia

 

 

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