Popstars The 90’s Musical

Production: Popstars The 90’s Musical 

Date: Friday, 25th February, 2022 

Society: Tiverton Junior Operatic Club (TJOC) 

Venue: The New Hall, Tiverton 

Director: Kev Behan 

Musical Director: Paul Moulton 

Chorus Master: Dan Kilshaw 

Choreographer: Abbie Weston 

Author: Sharon Wayland 

As I entered the auditorium of the New Hall, I was immediately struck by the energy and  vibrancy of the venue: twirling gobos, back projections and lively music combined to excite  the audience who had no hesitation in counting down at the start and cheering  enthusiastically throughout. The raked seating worked well providing me with an excellent  view of the stage and the proscenium arch was dressed with black and white stars, in keeping with the “Popstars” theme of the whole production. 

The set was simple but very effective - essentially a black box with back projection and the  occasional appearance of a fireplace to depict a living room or Joey’s sign for the diner  scene. Good use of front ramp and floor and balconies gave variety and enhanced the  poignancy of certain scenes, such as “Iris”. 

Scene changes and props were moved with speed and efficiency and using cast members to  bring on tables and benches helped to maintain the dramatic flow. Lighting was clearly in  safe, experienced hands, with several moving spots and gobos, providing slick enhancement  of mood and atmosphere. 

This production was well cast, playing to the vocal strengths and agility of all involved.  Characterisation was strong: from the stroppy Shannon, who was only into “show business  not show friendship”, to the gutsy Ella and shy Carrie whose dance moment with Shane was  quite touching. There were many subtle ensemble reactions, noticed particularly in Joey’s  Diner scenes – always a sign of perceptive and accomplished direction.  

There was also plenty of great visual humour, such as the girls singing badly and Steffi and  Tina stalking Charlie in the library. Vinny’s “Love is all Around” was a real stand-out  moment, his inept coaching made hilarious by feigning undying love for Shane. Simple and  bold costumes worked well and the confident, energetic dance moves were achievable and  added constant interest and audience engagement.  

At times, however, I did miss some of the lines. I know the cast had the challenge of  wearing masks during rehearsals which perhaps may explain why articulation was not  always clear and a little hasty? A couple of sound glitches happened too but did not greatly  interfere with the enjoyment of the show.

Musicians were accomplished and enhanced the delivery of the songs. In particular, the  most moving and emotional were – Mark’s “Always” and Charlie’s “Everything I Do”. The  final numbers “Genie in a bottle” and “Everybody” were suitably powerful and rousing. 

Overall, this was a truly uplifting, funny production with lovely moments of poignancy.  Popstars was an excellent choice of script. With teenagers playing teenagers, it gave an authenticity to the acting. Whilst I know that the cast members have no memory of the 90s, I do remember them well (!) so it was a fantastic nostalgic trip for me and a real privilege to  see young people showcasing their talents. I wish them all the very best in their future  careers. 

Thank you also to Graham Stone and his wonderful team for making me feel so welcome and giving me a tour of the stage after the show. 

Signed: Sharon Wayland

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