Playhouse Creatures

Playhouse Creatures is a 1993 play by April De Angelis, set in the theatre world of 17th century. What a treat to be in the audience as The Portable Theatre Company brought this play to Rothbury as part of their community tour. Once again, we were privileged to see a high-quality play in our village as The Portable Theatre Company upheld their reputation for high quality drama. They never disappoint.

With the stage set we were drawn into the opening dialogue of Doll Common (Lynne Lambert) who captivated those in the audience with her opening tragic reflections of the actress performing in a theatre what was once a former bear pit. Lynne is an experienced actress who is seen on stage in multiple genres but this part was perfect for her. She carried the character of Doll Common and her ease of utterance, whether it be a word or a full line was delivered brilliantly. I was captivated by her scene toward the end of the performance where she reflects on the basket of props within the theatre. One of the props she refers to is “the corpses finger” and then with perfect timing says” my mistake half a bread roll.” Her skill in delivering lines of tragedy and humour delighted the audience and she deserved the commendation.

Nell Gwyn (Emily Pearse) threw herself into this role and she was clearly enjoying this part. Her enthusiasm shone through and the interaction with her fellow actresses was delivered with energy and enthusiasm. What a young cockney, feisty character you were, and you managed to get away with delivering exclamations that were “foul mouthed” perfectly and moved those in the audience to laughter rather than shock. You unashamedly carried your status as King Charles II mistress but your determination to be an actress no one could doubt. You brought to the stage the characteristics that were attributed to Nell Gwyn – those of being “pretty and witty” which in turn brought about competition with your fellow actresses but balanced with humility and a willingness to learn and be coached by Mary Betterton (Susannah Clapcott) Well done Emily, this was a demanding role and you carried it off.

The character of Mrs. Betterton (Susannah Clapcott) portrays a person who was an expert in her craft but one who shared her expertise on stage by coaching her peers. The interaction with Mrs. Betterton and Nell in the how to use one’s head in the clock face demonstration was hilarious. I shall remember that when I am on stage! You captured the supportive passion for your husband’s company, and this shone through on stage. You also perfectly captured the struggles of women in the theatre, their fight against male oppression and their craving for autonomy and recognition. Your performance was one to be commended. Congratulations Susannah.

Elizabeth Farley (Lauren Robinson) was also well played as the part was to portray a distinction between innocence and worldly experience. Not an easy ask in a play with bitesize scenes so the way in which you focused on your back story as a discarded lover were very moving.

Rebecca Marshall (Amy Cowan) played what I can only describe as a “Jekyll and Hyde” character. She switched easily from a stylish actress into an all-out angry ranter channelled skilfully at the audience. You certainly made us sit up and take note of your feelings. You gave a polished performance Amy.

The sparseness of the set on stage aptly reflected the reality of the characters and their limitations but you made full use of this by adding the downstage extension that worked perfectly between the tableaus.

This play generates discussion about whether this is a feminist work of theatre. It certainly is as it deals with the challenges of women in theatre but also reminds the audience of the impact of ageing for women on stage, a topic that is still alive today for those discarded as they age.

Congratulations to Jan Turner who pulled off assembling such an accomplished team to perform on stage and then successfully directed a play to such a high standard. Bravo Jan. Also well done to the backstage and production crew who are experts in the art of portable theatre. A big thank you to you all.

Thank you for your invitation to see what an excellent play was, I had a thoroughly enjoyable evening as I am sure your wider audience did.

 

 

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