Pippin

The ADC Theatre in Cambridge recently hosted The Pied Pipers’ production of Stephen Schwartz's lesser-known musical, "Pippin." This enchanting show tells the story of a young man searching for his purpose in life, and from start to finish, it was clear that the director's vision was fully realised.

One of the most striking elements of this production was the set design, which stood out as one of the most impressive concepts I’ve  seen in amateur theatre in recent times. The stage was utilised to its fullest potential, featuring black curtains at the back and a central entrance. A significant prop, a huge chest, played multiple roles throughout the show, offering a dynamic addition to the performance. The use of three LED square frames of various sizes at odd angles added to the visual spectacle, flying in and out for different scenes. This simple yet effective set, combined with a phenomenal lighting plot, conjured an atmosphere reminiscent of the darkest moments of "Cabaret," the showbiz flair of "Moulin Rouge," and the sultry dance sequences of "Chicago." Hats off to Emily Starr as director for creating and expertly delivering her vision and to the entire cast and crew, particularly Matthew Latham (technical director), James Ireland (lighting designer) and Simon Tagger (master carpenter), for bringing it all to life.

The cast delivered practically faultless performances. From the ensemble singing, supported by a full orchestra, thanks to Musical Director Ana Sanderson, to the Fosse-inspired choreography, courtesy of David Mallabone, the cast did not miss a beat. Noteworthy scenes included the battle and farmyard sequences, both executed with finesse and dedication to characterisation – the chickens were a comedic highlight.

Among the ensemble, several convincing roles emerged. Mandy Jeffery's portrayal of Berthe was particularly memorable, bringing warmth and wisdom to the role, especially during the song "No Time at All," which had the audience singing along. Alex Butcher, who played Lewis the stepson, and Catriona Clarke as Catherine, the love interest in Act Two, both displayed remarkable talent. The intimacy Catriona achieved in the “Love Song” with Pippin was genuinely touching.

Also strong was George Fisher as Theo, the young son of Catherine. Completing the show with an acapella rendition exploring the next ‘corner of the sky’ must have been nerve-racking for one so young, but George is undoubtedly a talent to watch for the future.

Pippin was played by Oliver Oxley, and while the character can be polarising, Oliver did a tremendous job portraying the essence of what I always feel is a spoilt brat. His vocal quality and range were impressive, notably in “Morning Glow,” which provided a spectacular end to Act One.

The maestro for the entire show was the Leading Player, portrayer by Helen Petrovna. What versatility! – From dance, to tremendous vocal acrobatics and even roller skating, her professional background was evident. I wasn’t so sure about flipping between American singing and spoken English, but I think this might have been a directorial choice.

One standout performance came from Scott Riley, playing Charlemagne. Combining the wit of "Blackadder" with the appropriate insanity of a Monty Python character, Scott had the audience in stitches. His song, "War is a Science," was a Gilbert and Sullivan-style tour de force, supported by amazing choreography with soldiers acting as puppets controlled by puppeteers – such a clever idea and well executed.

Finally, my favourite and equally standout performance was Fastrada. Christine Poole’s portrayal as the ambitious stepmother of Pippin trying to furnish her own nest and that of her son Lewis was exemplary. Although the character seeks to manipulate those around her, you couldn’t help but love Fastrada, especially in “Spread a Little Sunshine,” which took on a slightly risqué meaning which the audience lapped up. The choreography and quick-change costume moment in this number were also highlights.

Overall, this production by the Pied Pipers of "Pippin" was incredibly professional and showcased the immense talent and dedication of everyone involved. Well done to all involved. You deserved the standing ovation.

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