Peter Pan

Peter Pan is the timeless story of the boy who never grew up. Based on J.M. Barrie's classic tale, it follows the adventures of Peter Pan, Wendy, John, and Michael as they encounter the mischievous Lost Boys, the formidable Captain Hook, his sidekick Smee, and a host of other enchanting characters. With gravity defying children, swordfights, kidnappings and a ticking semiaquatic reptiles, this story has all the makings of a child’s dreams (or nightmares if you’re a piratical one handed Captain).

Phillip Crayston played the title role, capturing the spirited essence of Peter Pan with ease, with Tinkerbell, his fairy played by a spotlight cast upon the scenery/furniture.

Wendy (Maia Kidson) was depicted with a blend of innocence and curiosity, and served us a wonderful guide through the narrative, even to the point of shuffling into her light when struck by the arrow.

The Darling Boys, John and Michael, were played well by Eddie Burns and Toby Parkinson - each giving exuberant performances befitting their characters.

Mr and Mrs Darling - the children’s parents - were charmingly played by Izzy Whittaker and Edward Thompson, both managing their roles well, even when faced with having no tie in the tie tying scene - neither became tongue tied.

Stealing the show for me was Isaac Oakes in the role of the villainous Captain Hook. He was both menacing and comical, providing a delightful contrast to all going on around him, using Smee as an excuse to vent his frustrations.

All other minor roles were played enthusiastically by the cast. A big shout out must go to Lucy O`Connor as Nana the dog - especially as there didn’t seem to be any eyeholes in the dog’s mask – or if there were, they permanently guided Nana to the flats/proscenium arch.

Chorus were all well drilled, the young performers delivering the songs with commendable skill and enthusiasm although on occasion, were so intent in having a good view of what was happening onstage, ended up in positions where they were blocking the action for some of the audience members.

Staging the various realms of Neverland/ London/ House interiors at The Forum is no mean feat. Walney Juniors managed it well, with only a few hiccups along the way. Flying scenes were executed well considering the constraints of the venue- though this is no fault of the company themselves. Improvements could be made with the sound, ensuring a more consistent audio experience throughout the show, as on occasion, the band were slightly more exuberant than the cast.

The choreography, especially in ensemble numbers , was simple and effective, with a few of Sue Lloyd Roberts signature moves thrown in for good measure. Sue must have been really pleased with the final outcome of her hard work.

Musical Director Paul Blake adeptly handled the enchanting score, bringing to life the whimsical and adventurous spirit of the story.

Director Mark Johnson has clearly had a ball with this production and should be really pleased with what he and the production team have produced.

I must say, the main thing with this production for me was the growth in performance levels from last year. Long may it continue.

Thank you, Walney Juniors, for your hospitality and invite

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