Oliver

Oliver – whilst the various productions of this show vary from the 1960 premier to the 2009 reincarnation the story and the atmosphere remains exactly the same and firmly based in the 19th century England of workhouses, beadles and ‘gents’.  The most significant aspect of this show is that of tunes which have been hummed by generations and with the 2009 revival likely to continue.  The survival of good over evil is overarching.

The set was on two levels.  The higher of the two predominantly represented the inside scenes whilst the thrust was used most effectively for street scenes.  The fixed set was cleverly designed to represent a wide variety of locations with the change of a prop here or there.  Props and furniture were well designed to facilitate swift changes. 

The band of three led by Simon Fraser, the musical director, provided really good backing to the singers as well as creating atmosphere during scene changes.  The whole musical score seemed seamless and the balance between the singers and the band was excellent.

This was an exceptional production of Oliver.  From beginning to end the attention to detail was obvious - from the inspired but practical stage set to the high-quality acting and singing by the well-balanced cast.  This show has some outstanding parts for both actors and singers and this performance showed the great versatility and superb talent of Ewhurst Players.  Whilst the role of Fagin (Bobby Knott) was played with sensitivity that of Bill Sykes (Ben Aveyard) was very melodramatic and blood-chilling.  Nigel Peacock, who took on the role of Mr Brownlow at two hour’s notice is to be congratulated on his characterisation and bearing.  All of the principals are to be applauded for their superb singing and excellent diction.  The choreography was first class throughout with the whole ensemble participating and making some complicated moves look easy.  I particularly enjoyed the sound of the washboard during Oom-Pah-Pah!

No production of Oliver is complete without the young performers.  Ewhurst Players have a troupe who excelled themselves and carried out their roles with flair. Oliver & the Artful Dodger played by two experienced performers Ezra Knott and Zac Leslie had the audience in their hands following every move and expression.

Meg Bray, the director, is to be congratulated in bringing all the various aspects of this musical together with such style and panache. 

Congratulations to everyone involved in this performance

Kay Rowan

SE Councillor

 

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