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Oliver!

Author: Liz Hume-Dawson

Information

Date
11th April 2018
Society
St Philips Amateur Operatic & Dramatic Society Bolton
Venue
Commerce House, Bridgeman Place
Type of Production
Musical
Director
Sarah Pilkington
Musical Director
Philip Harper
Choreographer
Barbara Grant

When I was invited to this performance I was fascinated not only by the choice of this popular musical Oliver! by Lionel Bart but also the much needed use of this prominent building I have passed several times. How interesting to learn of St Philips’ resourceful approach to the installation of a Theatre inside this historic commercial venue, with little or no support from outside. This is the epitome of my belief in the value of community drama, i.e. the meaningful use of space in often adverse conditions. 

Full credit to the society for making this their own and surmounting a logistical nightmare by converting a difficult space into an impressive presentation, including building their own set for this staging of Oliver!.

This production - bringing together adults and youth to perform together - was a delight. Oliver played by John Booth at the tender age of 9 looked angelic and did remind me of Mark Lester from the film version, definitely bringing the vulnerability of youth being manipulated by all.

Wallace Wareham as Mr Sowerberry - the henpecked undertaker husband was the suitable cuckold in his character - getting the most out of the comedy.

As soon as John Matthias’ Fagin started singing you could hear the rich voice of experience as he worked the audience with aplomb.

Louise Davenport as Nancy was encapsulating as she effortlessly held the audience in the palm of her hands, bringing her character to life with stage presence and living every song. As she graced the stage, you knew the film’s star Shaney Wallace would have been proud. The partnership of Nancy and Bet played by Charlotte Ashworth worked well driving the chorus numbers to a rousing pitch. Most notably was A Fine Life and of course Oom-Pah-Pah. Musical Direction by Philip Harper brought the best out of his leads and ensured the cast rendered the famous score in all its glory together with a lively band.

On a technical note I would like to make a constructive comment on some presentation points: the workhouse children’s faces were obscured by the mop caps and down stage right on the apron some of the acting was in darkness. Some scene changes took a long time and maybe could have been covered by use of music.

Otherwise, I must congratulate St Philips on a successful production of Oliver! and well done to the cast, backstage crew and front of house.

A big thank you for making my guest and I feel so welcome and looking after us so well.

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