Little Shop of Horrors

As the highest grossing Off Broadway production in history, Little Shop is a classic for quirky characters and an offbeat story line; a carnivorous plant running amok in a flower shop.  Set in Skid Row, Metropolis, the amateur botanist Seymour unwittingly grows an alien flesh-eating plant.  He names it Audrey II after his co-worker Audrey who he secretly loves.  But Seymour’s attention to the plant lands him in big trouble when he discovers its thirst for blood.

Playing oppressed Seymour, Chris Hanlon brought out all the awkward longing of his character, with a disciplined performance and a good singing voice.  He was well matched by Georgii Bailey as Audrey, who, unaware of Seymour`s devotion, was in an abusive relationship with a motor cycling dentist.  A moving part, handled well, with good vocals and confident acting, I loved her “Somewhere That`s Green”.   As her sadistic lover Orin, Joe Sainty was a revelation.  His madcap drug taking was wacky to the extreme, a brilliant performance.  A convincing Andrew Hibbert played the shop owner Mushnik, quick to financially benefit from the interest the plant brought, whilst giving no credit to his employees.

Sarah Morrell played Crystal, Kelly Wallhead played Ronnette and Kat Burton was Chiffon, and together they were The Ronnette`s.  Not only did they sing wonderfully, but they also played many other roles, and sung and danced their way throughout with beautiful harmonies and precise synchronised dance routines. A joy to watch.  Joining them in some of the dance routines were Heather Henderson and Sally Roberts, and together with Tilly Stapleton and Jaime Beesley, they performed their various roles with great style.

And now to the Plant.  From small beginnings, from a plant pot on the counter, to a giant, taking up half the stage, Audrey II was a most believable monster.  Mark Holmes as the plant was perfect.  His rendition of “Feed Me” was a showstopper, with an expressive and impressive vocal range, his voice was wonderful.  It added to his menacing and at times hilarious character.

With a cast of twelve, director Adam Walker delivered a fast moving, well drilled vibrant production.  All the actors performed superbly and deserved collective plaudits.  Quality choreography was by Paula Wilson, and a super five-piece band played under Kristina Craven`s leadership.  Stage manager was Pauline Hindle, costumes by Sally Roberts and cast, lighting by Chris Hanlon, and sound by John Pashley.

Thank you for the kind hospitality and warm welcome.

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