Little Red Riding Hood

An almost full house was testament to the popularity of both pantomime as a tradition and the Riverside Players themselves.  A warm welcome was had from front of house. The programmes were very lively with action photos and way-out centre pages; great inclusion of the puzzles and colourful images. 

Ferne Haxby [Grandma], gave a sterling and natural performance throughout and looked just the part in her costumes - great wig! A professional performance and one, which was consistent, came from Jason Down [The Big Bad Wolf]. He was fascinating to watch, using subtle mannerisms and excellent clarity of speech. He offered good comic timing and his make-up was excellent. Tony Fish [The Evil Wizard] epitomised evil with his attire and `sweeping` movements, striking a balance between really evil and not quite so evil. Neve Prior [Little Red Riding Hood] and Fred McGahan [Little Boy Blue] added the youth element and both played their parts well. Neve sung sweetly and Fred had good stage presence.  Both principal girl and boy offered good diction but needed to slow their dialogue. They were suitably absorbed by their parts especially Fred, and pace will come with experience. Neve looked stunning in her red cloak but Fred needed more blue. Lorraine Slipper; Kirstie McMillan and Finn Prior [Pigs - Ant, And, Dec] added the slap-stick dimension and they warmed in the second half, going from appearing a little awkward to settling into their roles with more purpose.  They were the fun ingredients and Finn especially gave this physical comedy his all by offering style and bold gestures. The noses were very effective and the costumes visually stimulating.  Jack Barker [Queen Finger] and Harry Lee [King Thumb] were true to their names and well-cast, as were all the performers.  Jack did well to try and maintain a high-pitched voice, which did at times, lapse into baritone.  More exaggerated make-up, a pristine wig and a full skirt would have enhanced his untidy look.  James Lee [The Woodcutter] played a convincing role with clarity of speech. A great voice, rich and clear. His solo in the second half showcased his versatility with some emotional moments coupled with humour. He used the `negative` space well.  Heidi Phillpott [choreographer] did a good job moving the cast and the Dancers especially, were in sync. with their routines which blended with the story-line but their moves needed more feeling and positivity.

Amongst the `Oh yes he is` and `Booing` moments which suitably `peppered` the show, there were gems, like `Who Will Buy`; `Sisters Are Doing It By Themselves`; the ball and chain, which surprised; the turtle which amused; the bucket over the head; the clever play on words and the alternative Jenga which delighted the audience, especially when the boxes were miss aimed.

The musicians were in harmony with the actors and produced some good incidental music. It was obvious that all involved had really worked hard and the comradery on stage showed. It was a lovely touch to address the audience with poetry at the end, against the backdrop of a moving windmill sail. Congratulations go to Matt for his debut in both the writing and directing and to all involved who gave everyone a fun and pleasant evening.

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