Lemons, Lemons, Lemons, Lemons, Lemons

Did you know that the average person will speak approximately 123,205,750 words in a lifetime? The play Lemons, Lemons, Lemons, Lemons, Lemons by Sam Steiner delves into the intriguing concept of a world where words are limited. Set against the backdrop of a government-imposed law that restricts individuals to just 140 words of communication per day, the play follows the journey of two characters, Oliver and Bernadette, as they navigate this new reality. They are forced to carefully consider every word they utter and discover the profound impact of silence.

Performed at the MADS Theatre's studio theatre, the audience were seated on all four sides, creating an immersive theatre-in-the-round experience. The minimalist set, featuring only two stage blocks positioned diagonally opposite each other, might initially raise questions about how a 120-minute play with limited set and space could sustain audience engagement. Yet, it succeeded brilliantly.

Oliver and Bernadette, portrayed by George Reavey and Emily Redwood, delivered remarkable performances. Their consistency in dialogue, pace, expression, and intonation was a testament to their professionalism and dedication. Under the excellent direction of Cameron Chandler, the actors' use of proxemics was well-structured, effectively enhancing the dialogue's intention. The constant changes in levels and spacing added depth to the performance, keeping the audience's attention riveted.

The chemistry between the characters grew throughout the play, leading the audience to ponder the nature of their relationship. Eventually, it became clear that Oliver and Bernadette were a young couple grappling with the word limit law. Their frustration with the restrictions gave rise to poignant moments of dramatic pauses. Ultimately, they devised their own 'couple code' to communicate without words.

George Reavey, as Oliver, delivered his lines with control and conviction, using complementary body language and gestures to further develop his character. Emily Redwood, as Bernadette, skilfully played with words, heightening the communication and dramatic tension between the characters and their situation. Both performers were meticulous in their delivery, employing effective stage movement and gestures, fully complemented by their expressive facial expressions. Their ability to hold the stage and captivate the audience for the entire duration of the play deserves high praise.

Congratulations to MADS Theatre for presenting an extremely well-polished and thought-provoking play. Thank you for the warm welcome and hospitality. I eagerly anticipate your future productions.

Andy Milthorpe

NODA District 1 Representative

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