Legally Blonde Jr.

Legally Blonde Jr. is a shorter musical adaptation of the hit film and Broadway musical, following sorority girl Elle Woods as she enrols at Harvard Law School to win back her ex-boyfriend, Warner Huntington III. She overcomes societal stereotypes to prove her intelligence, making true friends along the way whilst always staying true to herself. Elle ultimately finds her own path and voice by successfully defending a fellow Delta Nu, Brooke Wyndham, all the while keeping Brooke’s alibi secret, as per her Delta Nu pact. 

The musical was directed and choreographed by Marcia Mitchell. It was obvious that Marcia had a clear vision for the show within her direction and also choreography, keeping it in theme with the well-loved film and musical, including the bend and snap! The choreography of numbers was in line with the ability of all on stage and was well rehearsed. The company used the space of the stage well and were confident working the stage. Initially, there was a lack of energy during numbers such as “Omigod You Guys” and “What You Want” however, as the musical progressed and the cast became more confident, the energy and excitement grew. 

The cast were led by Darcey Burnham as Elle Woods. Darcey may only be young, but she brought maturity and confidence to the role. She was expressive and kept Elle’s naiveite in her characterisation, delivering a well-rounded performance.  It was unfortunate that early on, her shoe broke but she continued like a professional, never missing a beat and didn’t let it faze her, what a star! Elle’s sorority sisters, Margot, Serena and Pilar, played by Olivia Eaton, Olivia Kent and Shelby Fox, led the Delta Nu company numbers, providing strong vocals and support for Elle. Curtis Mason-Moor as Emmett Forrest delivered a strong character and engaged well with Darcey. Curtis showed ease and confidence in his role. The tough love, no nonsense, Professor Callahan was well played by Sam Newman. He commanded attention and respect from those on stage (until he kissed Elle that is!). Warner Huntington III and Vivienne Kensington were played by Aiden McNish and Paris Scott. Paris portrayed Vivienne’s determination and disapproval of Elle brilliantly, Aiden was the opposite of Paris, being calm and collected as Warner. Kyle James Steward was particularly comical with his portrayal of Dewey. He was mean yet expressive, showing his disinterest in Paulette and their shared dog Rufus. Emily-Rose Hackett and Thalia Maddox as Enid Hoops and Kate were standout supporting characters. They had great stage presence and characterisation. The main characters were supported by the chorus members who all looked like they were having the best time on the stage. They knew each number really well and put their all into it. 

Due to illness, the character of Paulette was played by Esme-Rose Hindley-Smith. Not only did she step in at the last minute and absolutely smash her performance, Esme-Rose also played the role of Brooke Wyndham. I would never have known that Esme-Rose was standing in as Paulette, she made the part her own and didn’t falter with any of the script or lyrics. She was able to act both characters very differently with Paulette being nurturing and caring and Brooke being tough and fierce. 

Peter Morgan provided the musical direction. The cast sang along to backing tracks and knew the timings of these really well. There were some stand out vocals from Darcey, Paris, Esme-Rose and Curtis. It’s always tricky when singing to backing tracks as it’s not so easy to cover mistakes as you could with a live band. It was unfortunate that the cast missed their cue on the finale number, but they were able to pick it up for the final few lines. 

Peter also designed and built the set, along with Karen Beeby and Claire Jackson. The set was a simple flat across the back of the stage with a door. In order to depict the setting of each scene, there was a projection above the stage, in fitting with the location and interchangeable cloths were hanging from the flat creating images such as the timetable board of Harvard Law School and even turning into Dewey’s caravan. It was simplistic yet effective. The props used were fitting for the piece however, more care could have been taken in some scene changes. At times, the changes were quite long and loud, especially when moving the benches and tables. 

The lighting design, provided by Oliver Coleman was appropriate and executed well. In my opinion, the sound provided let the company down. There were times when microphones were not turned on or had been left on and I could hear people backstage. Those in the company who didn’t have a microphone couldn’t be heard. I know the show well and could fill in the lines I couldn’t hear. It was a shame as some of the lines missed are lines that were comical and included hints to the hit film. However, on a more positive note, the contrast between the backing tracks and singers was in balance. 

This was CATS’ first junior performance and I’m looking forward to where this journey will lead them to next. 

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