Legally Blonde Jr

The sheer enthusiasm and attack of the actors in this production of “Legally Blonde Jr,”  was more than enough to ensure its undoubted success.  Every one of the young performers was dedicated to making the essence of the show reach out across the footlights and engage their audience.

However I had a problem, not with the cast members, but with the backing track. It was far too loud for most of the evening. The players had to contend with projecting over the recorded, and somewhat brash, largely brass and percussion, backing tape, making it difficult for us to hear the lyrics. As director Daniel Mason made clear in his introduction this is an operetta. Consequently there is no book, so the clarity of the lyrics is fundamental. Perhaps a live keyboard bass and drums might have been a better choice as such a trio would also have had the option of extemporizing over the dark pauses during the rather clunky scene changes. Since accompanist Pat Elmer had done the job in rehearsal what a shame he could not have seen it through to the actual public performances. 

Nonetheless it was invigorating to see such a well drilled cast under the musical direction of Lisa Manley. I admire the fact that it is the policy of the society that everyone, regardless of experience, who wants a role is found one one. The inclusiveness of this approach means that young aspiring actors have the chance to learn from their older peers. It also gives the audience the thrill of seeing these debutantes grow in confidence over the years as they in turn eventually pass on their acquired knowledge before  graduating to the delights of the adult company. Such a policy does place a huge responsibility on the older members. One that they brilliantly accept.

The choreography of Daniel Mason was sharp and offered a few subtle surprises. This was a well drilled team performing at their best whisking us with them about the large stage, drawing us closely into the action. As Elle Woods, Belle Withnell was sassy and confident, demonstrating a range of emotions with conviction.  Indeed all the Principals were assured in their roles, James Crickmore, Lewis Mumby, Jessica Austin, Scarlett Simmonite, Ashley Brennand, Grace Mumby and Eleanor Crickmore.  Allow me to record a special mention for two players. In the role of Vivienne Kingston, Lizzy Thomson showed herself to be a capable instinctive actress who is undoubtedly destined to light up the stage for many years to come. While Eden Barritt’s innate versatility and professional approach will continue to be an asset to any company in the future. 

This production was greatly appreciated by the audience,

Thank you, Julie, for greeting us so well. I look forward to “My Fair Lady”  next month.

PRM.

 

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