Le Grand Return

STARS could hardly get more topical than their choice for their latest production, Le Grand Return by local author, Alan Stockhill, which remembers the D Day landings of World War 2
Set in 1994 and based on a true story, this reminiscent drama tells of three old codgers who get together in the nursing home in which they live to discuss their escape to France where the 50th anniversary of the wartime effort is to be celebrated.
Tommy (Bernard Wilson), wants to revisit the Normandy house in which his friend died in June, 1944, while Alf (Chris Binns) and kindly former Pay Corps captain Edwin (Martin Isbister) are keen to join him both for the outing and to prove they still can.

The three “break out” of their care home and its strict matron (Joan Kay, who with the addition of a French accent also plays Yvette later in the play) and make their way to the Normandy events by way of Belgium.

But for Alf, Edwin and Tommy, the past – and their age - catches up with them in this emotionally charged production that brings to life their youthful experiences, neatly interspersed with the sly wit and unsophisticated humour of the time, reminiscent of Last of the Summer Wine.
When the three get to Normandy, having battled with an officious customs officer in Belgium (Eva De Luca) — all having had nicely-written monologues along the way — Tommy comes into his own, bad heart notwithstanding. 
Bernard, Chris and Martin give thoughtful performances as the three comrades who battle out their differences – their rich experience perfectly balanced the broad comedy with the heart-tugging emotion.
Unusually for STARS, this was a simple but effective set of 5 flats, tables and chairs. Numerous locations were depicted by simple things like changing pictures and seat covers. The highly organised stage crew (Claire & Rowena) made sure all scene changes were quick and accurate. Lighting (Dave Harris), Sound (Neil Bradford), costume (Clare Burnside) and props (David Waite) all enhanced the production. All of these factors were under the efficient control of the Stage Manager, Rowena Saville.
The Director, Chris Binns, clearly aimed the play at an audience that appreciates wartime sacrifice and he achieved this goal well, making us laugh with the unlikely lads, whilst, at the same time, tugging at our heartstrings. 
Thank you for another wonderful evening’s thought-provoking entertainment

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