Kiss Me Kate

Kiss Me Kate – “the battle of the sexes takes centre stage” (programme cover) a phrase that sums up the evening of Kiss Me Kate.  The story based upon a true life ‘battle’ between two husband-and-wife actors during a 1935 production of The Taming of the Shrew which inspired the writers and led them to enlist Irving Berlin to write the now instantly recognisable music to go with their libretto.

The clear but detailed programme was a very interesting read.  It is always interesting to read about the background of the artistic team as well as the principals.  Great to see support from local businesses in the form of advertising.  Very clear notices concerning copyright and audience safety.

For a show involving 17 scenes the changes were smooth and appeared in the main effortless.  The design, construction and painting were very effective and hit just the right tone and structure to inspire both the cast and audience.  Lighting was very well inspired and managed throughout.  The control of the sound enhancement was excellent and makes a definite contribution to the enjoyment of the production.  Costumes were splendid.  The contrast between Baltimore and Padua was deliberate and very well executed.  The tunics for the male principals in The Taming were most appropriate and varied in colour.

Mark Turvill very ably conducted the 10-piece band who created an excellent sound which enhanced the production and supported the singers.  The chorus and principals were well rehearsed, well balanced and articulate.  The first time directing a book show is quite a daunting prospect however Ellie Parsons appears to have taken it in her stride. Her attention to detail was obvious throughout. 

Sue Prior and James Palmer made an excellent pair of actors and lovers – their acting and singing were a thrill to witness.  The essential spark was evident throughout in more ways than one and a delight to watch - too many highlights to mention here.  Natalie Turvill and Johnathan Payne excelled in the alternative narrative as a hard-working actress in a relationship with an actor with serious gambling habits who subsequently attracted the attention of two gangsters very ably played by Andy Cox and Steve Dorsett who certainly had the measure of ‘Brush up your Shakespeare’ encouraging the audience to extra applause.

WWAOS are very fortunate to have such a talented team providing the principals line up - from major role to minor part the talent abounds.  Th chorus are to be congratulated on their seemingly effortless singing and dancing of such quality, intensity and enthusiasm.

Congratulations to both Ellie Parsons (Director) and Mark Turvill (MD)  together with Claire Leonard  (Choreographer) for bringing this show so alive on the Playhouse stage.

Thank you to everyone for a most entertaining and uplifting evening and sharing the sheer joy of performing with the audience.

Kay Rowan – South East Regional Councillor       © NODA CIO. All rights reserved.

© NODA CIO. All rights reserved.